General December 2015

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Expressive 2016 - Call for Papers

by eurographics＠eg.org

Expressive 2016 Call for Papers Date: May 79, 2016 Location: Lisbon, Portugal URL: <http://expressive.graphics/2016/> http://expressive.graphics/2016/ Co-sponsored by: ACM SIGGRAPH and Eurographics Abstract submission deadline: February 1, 2016 Paper submission deadline: February 7, 2016 Acceptance notification: March 13, 2016 Expressive 2016 is a joint symposium that includes * Computational Aesthetics (CAe), <http://expressive.graphics/2016/CAe/Home> * <http://expressive.graphics/2016/NPAR/Home> Non-Photorealistic Animation and Rendering (NPAR), and * <http://expressive.graphics/2016/SBIM/Home> Sketch-Based Interfaces and Modelling (SBIM). The conference will take place in Lisbon, Portugal, May 79, 2016, and it will be co-located with theEurographics 2016 conference. A single registration for Expressive 2016 will include all three symposia. Invited talks and artists talks will be shared among the conferences and sessions will be mixed. The submission, review, and publication process for the event will be handled jointly across the three conferences. Each paper submission should be designated as belonging to one of the three tracks. Computational Aesthetics Computational Aesthetics (CAe) bridges the analytic and synthetic by integrating aspects of computer science, philosophy, psychology, and the fine, applied & performing arts. It seeks to facilitate both the analysis and the augmentation of creative behaviors. CAe also investigates the creation of tools that can enhance the expressive power of the fine and applied arts and furthers our understanding of aesthetic evaluation, perception, and meaning. The Computational Aesthetics conference brings together individuals with technical experience of developing computer-based tools to solve aesthetic problems and people with artistic/design backgrounds who use these new tools and inform their design. Refereed CAe papers and artworks aim to facilitate a dialog between scientists and engineers, and also artists and designers. Presentations will provide a snapshot of the latest technical breakthroughs and the most recent artistic or design achievements in applying computer-based techniques to solve aesthetic problems. Technical submissions are invited across the broad range of areas covered by Computational Aesthetics. Specific technical areas include, but are not limited to: * computational analysis and modeling of creative behavior (AI, A-life) * artistic image transformation techniques (colors, edges, patterns, dithering) * image style and salience analysis (paintings, photographs, others) * visualization (perceptual, affective or aesthetics based) * sketching, simplification techniques (artistic, cognitive) * composition, visual balance, layout * non-photorealistic and illustrative rendering addressing computational aesthetics * empirically based metrics of aesthetic attributes * applied visual perception (color appearance, spatial vision, and other aspects) * measuring and describing aesthetics * computational tools for artists Successful submissions can, for example, describe novel technical approaches that address one or more of the areas mentioned above (or beyond). However, we are equally interested in papers that discuss the use of existing techniques but combine them in an interesting new way or apply them in a new context that addresses problems in computational aesthetics. Sketch-Based Interfaces and Modeling Advances in pen-based computer hardware have enabled digital sketch-based interfaces to emerge as a powerful way to combine the quick and intuitive feel of paper with the power of computation. However, fully realizing the potential of these sketch-based systems requires effective input devices, user interface design and underlying algorithms to analyze the input. The goal of this symposium is to explore models, algorithms and technologies needed to enable effective sketch-based interfaces. It investigates novel methods for classification and recognition of hand-drawn shapes, and ways of using these techniques for creating or editing digital models, text, mathematics and 3D shapes. Likewise, the symposium explores the application of sketch-based interfaces to 3D computer graphics, animation, CAD and computer games, as well as other specific applications such as diagram editing, note taking and novel input devices. Finally, the symposium welcomes empirical user studies aimed at clarifying the nature of sketch-based interfaces and comparing them to other interaction techniques. Created in 2004, SBIM provides a unique venue for researchers, students and practitioners interested in sketch-based techniques to interact with one another, share lessons learned, show new results and discuss open issues. Topic areas for SBIM 2016 include but are not limited to: * Multimodal interfaces for sketching * Novel sketch input and editing devices * Novel pen-based interaction techniques * Low level ink processing and pen stroke segmentation * Sketch parsing, classification and recognition * Sketch-based interfaces for CAD systems * Sketch-based modeling and editing of 3D shapes * Sketch-based control of animations * Sketch-based interfaces for other applications (surface editing, diagram creation, mathematical annotations, games, etc.) * Rendering techniques for sketch-based systems (NPR) * Sketches for medical and volume data editing * Sketch-based retrieval of multimedia information * Usability studies of sketch-based systems * Studies of the impact of sketching on creativity and design * Multi-touch interfaces and applications Non-Photorealistic Animation and Rendering Non-Photorealistic Animation and Rendering (NPAR) refers to computational techniques for visual communication. Such techniques usually generate imagery and motion which is expressive, rather than photorealistic, although they may incorporate realistic elements. We invite researchers, artists, and practitioners of all areas connected to non-photorealistic animation and rendering to submit papers and posters on their work. Submitted papers should be self-classified into one of the following three categories: * Research: new algorithms, scientific studies, analysis, or data (i.e., traditional NPAR papers). These must contain novel results that make a substantive contribution to the field. * Production: candid discussion of the process of creating a work (e.g., film, image, game) or art tool (e.g., paint or CAD program, software library). * Meta: statements about research that do not contain new results, e.g.: grand challenges, position papers, evaluation standards, surveys, and primers on art / aesthetics / psychophysics for a computer science audience. All work must be previously unpublished and contain a novel contribution. Production and Meta papers need not contain original research or results. Topic areas of NPAR 2016 include, but are not limited to: * Expressive character animation and physics * Abstraction and stylization of images/video * Interaction techniques * Accounts of real productions (e.g., animated films) * NPAR in real software products (e.g., modeling, visualization, presentation software) * Visual composition * Hardware acceleration * Evaluation methods for NPAR algorithms * Psychophysics of NPAR * Rendering and layout for text and presentation graphics * Quantitative analysis of human artists * Generative or evolutionary approaches * Style transfer * Temporal and spatial coherence * Adapting classic CG effects like motion blur, depth of field, and lighting for NPAR * Simulation of natural media and traditional styles * Non-traditional camera models * Position papers on grand challenges Technical Paper Submissions Technical papers should present original, unpublished work. There is no absolute maximum length for paper submissions; please use the <http://s2015.siggraph.org/submitters/technical-papers/publication-requireme nts/> SIGGRAPH length guidelines. In particular, note that papers longer than 810 pages must make a very significant contribution to be accepted. Manuscripts must be written in English, and should follow the <https://www.eg.org/index.php/publications/guidelines#WS_Authors> Eurographics formatting instructions, including a title page with an abstract and keywords, and a bibliography. The submission is electronic in PDF format; supplemental video and images may also be submitted. Research papers are reviewed double-blind and so must be anonymous when submitted. Information on the submission process will be available on our website. Please also note that only PDF files will be accepted for your submission. Make sure that all fonts are embedded in your PDF file. Additional material such as additional images or videos may be submitted as PDF or as a zipped archive (ZIP files) with a maximum size of 30 MB. For videos please ensure that a commonly available format and codec is used. For example, make sure that the video plays with VLC, which is available on most platforms. Accepted papers will be published as a single conference proceedings by Eurographics and will be available online via both the Eurographics Digital Library and the ACM Digital Library. Important Dates Abstract submission deadline: February 1, 2016 Paper submission deadline: February 7, 2016 Acceptance notification: March 13, 2016 Papers camera-ready deadline: March 27, 2016 Conference: May 79, 2016 All deadlines are at 23:59:59 UTC/GMT. Conference Chairs General chair: Luís Gonzaga Magalhães, University of Minho, Portugal Manuel João Fonseca, University of Lisbon, Portugal Metin Sezgin, Koç University, Turkey CAe track chairs: Angus Forbes, University of Illinois at Chicago, USA Lyn Bartram, Simon Fraser University, Canada NPAR track chairs: Pierre Bénard, University of Bordeaux, France Holger Winnemöller, Adobe Systems, USA SBIM track chair: Yotam Gingold, George Mason University, USA Ergun Akleman, Texas A&M University, USA

9 years, 2 months

Eurographics Workshop on Graphics for Digital Fabrication (GraDiFab 2016)

by eurographics＠eg.org

Call for Papers: Eurographics Workshop on Graphics for Digital Fabrication (GraDiFab 2016) Lisbon, May 8, 2016. Co-located with the 37th annual conference of the European Association for Computer Graphics. Workshop URL: http://www.gradifab.org/ Submissions deadline: February 20, 2016 ** Aims and scope ** Digital fabrication technologies comprise a combination of programmable digital tools, processes, materials and equipment which allow the creation of physical objects of complexities not achievable by traditional manufacturing processes. Computer graphics research is at the centre of these developments, as it provides the underlying technologies which allow creating, validating and processing the 3D shapes and textures to be fabricated. We invite paper submission from a wide range of researchers and experts investigating on the many aspects related to computer graphics and digital fabrication technologies. This research is expected to contribute towards the establishment of digital fabrication as a viable and effective option for the creation of the objects of the future. Topics include (but are not limited to) the following: - 3D acquisition for digital fabrication - Algorithms and design tools for digital fabrication - Analysis for digital fabrication - Computational architecture - Multi-material fabrication - Optimisation algorithms for 3D printing - Validation tools - Interactive techniques with fabricated objects - User applications The intended audience involves experts from a wide range of areas such as computer graphics, additive manufacturing, computer aided design, material engineering, human computer interaction as well as end users from a wide range of applications including medicine, biology, engineering, arts and architecture. Hence, papers will need to present innovative computer graphics content but also refer to other areas or applications where they have been, or are going to be, tested and evaluated. ** Submission instructions ** Submissions reporting new work or new ideas in a relevant research area should be no longer than 10 pages and should follow the EG guidelines: https://www.eg.org/index.php/publications/guidelines#WS_Authors Authors are encouraged to submit printable 3D models along with their submissions to demonstrate the application of their techniques and methods. It is expected physical replicas will be exhibited during the workshop to disseminate the research to the wider Eurographics audience. Submissions will be reviewed by the International Programme Committee with a minimum of three reviewers per paper. Successful submissions will be presented at the workshop. Furthermore, proceedings of the workshop will be published by EG Publishing in the EG Digital Library ** Important dates ** Paper submission: February 20th, 2016 Paper notification: March 15th, 2016 Camera-ready deadline: March 30th, 2016 Workshop: May 8th, 2016

9 years, 2 months

Eurographics 2016 Symposium on Parallel Graphics and Visualization (EGPGV 2016)

by eurographics＠eg.org

[We apologize if you receive multiple copies of this message.] Eurographics 2016 Symposium on Parallel Graphics and Visualization (EGPGV 2016) ============================================================================ === June 6-7, 2016, Groningen, the Netherlands Co-located with EuroVis 2016 www.egpgv.org Call for Papers ================ The importance of parallel computing is increasing rapidly with the ubiquitous availability of multi-core CPUs, GPUs, and cluster systems. Computationally demanding and data-intensive applications in graphics and visualization are strongly affected by this trend and require novel efficient parallel solutions. The aim of this symposium is to foster the exchange of experiences and knowledge exploiting and defining new trends in parallel graphics and visualization. The proceedings of the EGPGV Symposium will be published in the Eurographics Proceedings Series and in the Eurographics Digital Library. Best papers from the EGPGV symposium will be invited to submit an extended journal version to IEEE Transactions on Visualization and Computer Graphics. Focusing on parallel computing, the symposium seeks papers on graphics and visualization techniques, data structures, algorithms, and systems for: - large-data - clusters - (multi-)GPU computing, and heterogeneous, hybrid architectures - out-of-core - hybrid distributed and shared memory architectures - grid and cloud environments In particular the symposium topics include: - computationally and data intensive rendering - scientific visualization (volume rendering, flow and tensor visualization) - information visualization and visual analytics - simulations for virtual environments (physics-based animation, collision detection, acoustics) - mesh processing, level-of-detail, and geometric methods - visual computing (image- and video-based rendering, image processing and exploitation, segmentation) - scheduling, memory management and data coherence - large and high resolution displays, virtual environments - scientific, engineering, and industrial applications Important Dates ================= Paper Submission: February 19, 2016 Author Notification: April 1, 2016 Camera-Ready papers: April 15, 2016 Symposium: June 6-7, 2016 Submission instructions ======================== You are invited to submit original and unpublished research works. Full papers are expected to be eight to ten (8-10) pages in length, with the final length appropriate to the contribution of the paper. Submissions are to be formatted along the Eurographics paper publication guidelines. We expect that the submissions will clearly discuss the novel and significant contributions as well as related work in the field. Authors must highlight how their contributions differ and advance the state of the art in parallel graphics and visualization. The full paper and all supplementary material must be submitted via the PCS online system. Additional submission details will be announced shortly on egpgv.org. Symposium Chair ================= Alexandru Telea, University of Groningen, the Netherlands Program Chairs =============== Wes Bethel, Lawrence Berkeley National Laboratory, USA Enrico Gobbetti, CRS4, Italy Program Committee ================== To be announced soon on the event's website (egpgv.org)

9 years, 2 months

Eurographics Workshop on Intelligent Cinematography and Film Editing (WICED'2016)

by eurographics＠eg.org

************************************************ CFP - Apologies for multiple copies ************************************************ Eurographics Workshop on Intelligent Cinematography and Film Editing (WICED'2016) Lisbon, Portugal, Monday, May 9, 2016 as a satellite event to Eurographics. <https://wiced.inria.fr/> https://wiced.inria.fr/ The workshop is open to researchers and industrial experts working on the many related aspects of digital cinematography and film editing in their respective fields, including 3D graphics, artificial intelligence, computer vision, visualization, interactive narrative, cognitive and perceptual psychology, computational linguistics, computational aesthetics and visual effects. These researchers will draw upon cutting edge research and technologies regarding both the production and comprehension of cinematographic art-works in virtual worlds and the real world. Important Dates Paper submission: February 12, 2016. Notification to authors: March 11, 2016. Camera-ready deadline: April 8, 2016. Workshop held: Monday, May 9, 2016 in Lisbon, Portugal. Topics of interest Camera path planning Visibility computation Viewpoint entropy Navigation techniques and proximal exploration Interactive camera control metaphors Approaches to framing and composition of individual shots Automatic and interactive lighting design Intelligent staging and blocking of virtual lights, cameras and actors Expressive performance of virtual characters Intelligent video editing tools Efficient algorithms for camera placement and shot sequence selection Natural user interfaces for camera control and video editing Parallels between cinematic and linguistic communication Cognitive models of the comprehension of virtual cinematics Re-cinematography, re-lighting and re-framing of live-action video Computer-assisted multi-camera production Virtual cinematography as a pre-visualisation tool for real-world filming Intelligent tools and novel interfaces for in-game cinematics, replays, and machinima Intelligent generation of comic book layouts Evaluation methodologies and user experience Collaborative visual storytelling Creativity in cinematic communication Interactive and generative cinema Cinematic serious game and applications Virtual reality movie-making Submission Researchers should submit one of: - Regular paper (max 8 pages) reporting new work or new ideas in a relevant research area. - One-page abstract describing work in progress or a vision of the near term future of intelligent cinematography. Proceedings of the workshop will be published by EG Publishing in the EG Digital Library. Organizing committee The international workshop series is supervised by a steering committee composed of Magy Seif El-Nasr (Northeastern University), R. Michael Young (NC State University), Joseph Magliano (Northern Illinois University), Paolo Burelli (Aalborg University Copenhagen), Arnav Jhala (UC Santa Cruz), and Remi Ronfard (Inria Grenoble). This edition of the workshop is co-organized by Rémi Ronfard (Chair, Inria, France), Marc Christie (Co-chair, University of Rennes, France), Quentin Galvane (Co-chair, Technicolor, France) and Arnav Jhala ( Program Chair, University of California in Santa Cruz).

9 years, 2 months

14th EUROGRAPHICS Workshop on Graphics and Cultural Heritage

by eurographics＠eg.org

14th EUROGRAPHICS Workshop on Graphics and Cultural Heritage Genova, Italy, 5-7 October 2016 The 14th EUROGRAPHICS Workshop on Graphics and Cultural Heritage (GCH 2016) aims to foster an international dialogue between ICT experts and CH scientists to have a better understanding of the critical requirements for processing, managing, and delivering cultural information to a broader audience. The objective of the workshop is to present and showcase new developments within the overall process chain, from data acquisition, analysis and synthesis, 3D documentation, and data management, to new forms of interactive presentations and 3D printing solutions. Interdisciplinary approaches for analysis, classification and interpretation of cultural artefacts are particularly relevant to the event. The intention of GCH 2016 is also to establish a scientific forum for scientists and CH professionals to exchange and disseminate novel ideas and techniques in research, education and dissemination of Cultural Heritage, transfer them in practice, and trace future research and technological directions. Therefore, we seek original, innovative and previously unpublished contributions in the computer graphics area applied to digital cultural heritage, challenging the state of the art solutions and leveraging new ideas for future developments. Specific sessions will be devoted to reports on applications, experiences and projects in this domain. Contributions are solicited (but not limited to) in the following areas: . 2/3/4D data acquisition and processing in Cultural Heritage . Multispectral imaging and data fusion . Digital acquisition, representation and communication of intangible heritage . Material acquisition analysis . Heterogeneous data collection, integration and management . 3D printing of cultural assets . Shape analysis and interpretation . Similarity and search of digital artefacts . Visualization and Virtual Museums . Multi-modal and interactive environments and applications for Cultural Heritage . Spatial and mobile augmentation of physical collections with digital presentations . Semantic-aware representation of digital artefacts (metadata, classification schemes, annotation) . Digital libraries and archiving of 3D documents . Standards and documentation . Serious games in Cultural Heritage . Storytelling and design of heritage communications _______________________________________________________________________ Proceedings All the accepted papers will be published in the EG digital library. For a selected number of top quality papers, the authors will be invited after the workshop to extend the paper in order to be published in the ACM journal on Computing and Cultural Heritage (JOCCH). ________________________________________________________________________ IMPORTANT DATES May 2 Abstract May 9 Full Papers, Short Papers June 30 Notification Sept 5 Final Camera Ready ___________________________________________________________________ Event Co-Chairs Bianca Falcidieno (CNR IMATI, Italy), Dieter Fellner (TU Darmstadt/Fraunhofer IGD, Germany) Program Co-Chairs Chiara Eva Catalano (CNR IMATI, Italy) Livio De Luca (UMR CNRS/MCC MAP - Marseille, France) __________________________________________________________________ Program committee (provisional) Pierre Alliez Maria Teresa Linaza Carlos Andujar Nadia Magnenat-Thalmann David Arnold Marco Marchesi Juan Barcelo Ricardo Marroquim Angelo Beraldin Michela Mortara Silvia Biasotti Mark Mudge Jean-Yves Blaise Andras Patay-Horvath Ulrich Bockholt, Sofia Pescarin Alan Chalmers Denis Pitzalis Paolo Cignoni Fabio Remondino Matteo Delle Piane Patrick Reuter Leo Dorst Selma Rizvic Anastasios Doulamis Karina Rodriguez Echavarria Dieter Fritsch, Maria Roussou Andrea Giachetti Holly Rushmeier Enrico Gobbetti Robert Sablatnig Antonella Guidazzoli Pedro Santos Gabriele Guidi Roberto Scopigno Sorin Hermon Michela Spagnuolo Marinos Ioannides Didier Stricker Martin Kampel Jean-Marc Vallet Min Hyuk Kim Martin White Reinhard Klein Michael Wimmer, More info on http://gch2016.ge.imati.cnr.it

9 years, 2 months

Recruitment call

by eurographics＠eg.org

CYPRUS UNIVERSITY OF TECHNOLOGY (CUT) DEPARTMENT OF ELECTRICAL and COMPUTER ENGINNERING and INFORMATICS Full Time Marie Curie Early Stage Researcher Position (ESR) in the field of New techniques for data storage and archiving of massive and complex amounts of 2D/3D/4D Cultural assets. Applications are invited from candidates who possess the necessary qualifications in order to fill one (1) full time Marie Curie Early Stage Researcher (ESR) Fellow Position in the Digital Heritage Research Lab of the Cyprus University of Technology (CUT) in the research fields of 2D/3D/4D Digitalization (automated methodologies for 2D and 3D data acquisition: photogrammetry, Laser Scanning, depth camera sensors, SfM etc.), Computer Vision (Image processing, geometric invariant visual features, data-preprocessing/filtering, Pattern recognition), Computer Graphics (modeling), Metadata enrichment for tangible and intangible Cultural Heritage, Big Data and Cloud Computing applications. The selected Marie Curie ESR will work for 19 months within the ITN-Digital Cultural Heritage (ITN-DCH) Marie Curie ITN Programme which, is the only EU funded programme bringing together fourteen (14) leading European Institutions as full partners and nine (9) other as associated partners in a transnational network, aiming at implementing a multidisciplinary and intersectorial research and training programme between the academic and the industrial partners. Description Cultural Heritage (CH) is an integral element of Europe and vital for the creation of a common European identity and one of the greatest assets for steering Europe's social, economic development and job creation. However, the current research training activities in CH are fragmented and mostly designed to be of a single-discipline, failing to cover the whole lifecycle of Digital Cultural Heritage (DCH) research, which is by nature a multi-disciplinary and intersectorial research agenda. ITN-DCH brings for the first time worldwide top Universities, research centers, industries and CH stakeholders, end-users and standardized bodies together to collaborate in order to train the next generation of researchers in DCH. The project aims to analyze, design, research, develop and validate an innovative multi-disciplinary and intersectoral research training framework that covers the whole lifecycle of digital CH research for cost- effective preservation, documentation, protection and presentation of CH. ITN-DCH targets innovations that cover all aspects of CH ranging from tangible (books, newspapers, images, drawings, manuscripts, uniforms, maps, artifacts, archaeological sites, monuments) to intangible content (e.g., music, performing arts, folklore, theatrical performances) and their inter-relationships. The project also aims to boost the added value of CH assets by re-using them in real application environments (protection of CH, education, tourism industry, advertising, fashion, films, music, publishing, video games and TV) through research on (i) new personalized, interactive, mixed and augmented reality enabled e- services, (ii) new recommendations in data acquisition, (iii) new forms of representations (3D/4D) of both tangible /intangible assets and (iv) interoperable metadata forms that allow easy data exchange and archiving. One ESR will be recruited by the host organization of the Cyprus University of Technology. Position: One ESR to be recruited by the host organization of the Cyprus University of Technology in Limassol, Cyprus for the duration of 19 months under full employment contract. The fellow will work on: Development of Innovative methodologies for 2D, 3D and 4D Data capturing, including new metadata interface for tangible cultural heritage (2D/3D/4D forms), New metadata schemas for tangible/intangible Cultural Heritage, Innovative and automated methodologies for data storage and archiving of massive and complex amounts of 3D/4D cultural assets. Moreover, the fellowship will focus on the following objectives: - Study and analysis of massive and complex amounts of multimedia 3D/4D data - Study and analysis of data storage and archiving in multimedia digital libraries - Development of Innovative methodologies for harvesting of massive and complex multimedia data sets in digital libraries taking into account object's semantic signatures - Development of Innovative methodologies for reuse of such complex structures from digital libraries. The monthly gross salary for this position will be 2650.50 Euro. There is no provision for 13th salary. In addition, the fellow will be entitled to mobility allowance, according to the regulations of the program. The Applicant should: 1. Have completed at least a four or five year education cycle (e.g. Diploma in Engineering, Master' s Degree etc) from a recognized university in Geomatics, Computer-/ Electrical Engineering Computer Science and/or Surveying Engineering with less than four (4) years of continuous full-time research experience in the above fields, with excellent programming skills and very good language and communication / implementation skills 2. At the time of recruitment, not have resided (or carried out his/her main activity e.g. work, studies, etc.) in Cyprus, for more than 12 months in the last 3 years immediately prior to the reference recruitment date. 3. Excellent knowledge of the English language at a proficiency level (spoken and written) Career Stage Early stage researcher or 0-4 years of experience (Post graduate) - According to the FP7-PEOPLE (Marie Curie Actions) Regulations. Eligibility rules for the Marie Curie fellows can be found at the FP7-PEOPLE 2013 Work programme: http://ec.europa.eu/research/mariecurieactions/documents/about-mca/actions/i tn/marie-curie-actions-fellowships-people-wp-201301_en.pdf Research Profile First Stage Researcher (R1) Benefits - Competitive salary to cover living, mobility costs, social and health insurance (according to the FP7-PEOPLE ITN2013 Marie Curie Actions Programme regulations). - In the context of a personal Career Development Plan, opportunities for international collaboration and exchanges to world-class academic and industrial partners will take place. - Opportunity to register for a PhD at the CUT, Limassol, Cyprus. - Training in a range of state-of-the-art scientific skills, intellectual property and project management skills and visiting GR language courses. - Secondment placements within the network's partners (up to max. two months). For more details on the fellow salary and other benefits/eligibility criteria please refer to the FP7-PEOPLE Marie Curie actions website at: http://ec.europa.eu/research/mariecurieactions/careers_en.htm and the FP7-PEOPLE ITN2013 work programme:http://ec.europa.eu/research/mariecurieactions/documents/about-mca /actions/itn/marie-curie-actions-fellowships-people-wp-201301_en.pdf Applicants are requested to submit the following: 1. Detailed Euro-Curriculum Vitae - 2 copies (https://europass.cedefop.europa.eu/en/documents/curriculum-vitae) 2. Motivation Letter - 2 copies 3. Official certified transcripts of grades from all academic institutions of higher education listed in his/her application, certified copies of degrees, or/and certifications of fulfillment of the required obligations for entering a graduate PhD programme - 2 copies 4. Official certified copies of titles in English language - 2 copies 5. Names of three referees who, upon request, can provide recommendation letters - 2 copies 6. Copies of any related research papers or other significant work by the applicant - 2 copies Applications must be submitted via express courier in a closed envelope marked as " Application for FP7-PEOPLE Marie Curie ITN-DCH Research Fellow Position (ESR) - Department of Electrical and Computer Engineering and Informatics" at the premises of the Cyprus University of Technology, Human Resource Department, Limassol Savings Co- operative Bank Building, 4th Floor, Arch. Kyprianos 31, CY-3036 Limassol with a clearly visible official stamp of a date not later than 15th January 2016, 14:00 which is the deadline for the submission of the applications. Applicants are also requested to send their applications electronically to this email address marinos.ioannides(a)cut.ac.cy before the deadline of 15th of January 2016, 14:00, however, please note that the electronic submission alone will not be considered as a formal application unless the printed application is received as requested in the previous paragraph. For further information please contact Dr. Marinos Ioannides at email marinos.ioannides(a)cut.ac.cy and telephone number +357-25-002020 or visit the website www.itn-dch.eu and www.itn-dch.org. Research Fields Computer Science, Geomatics, Photogrammetry, Computer Vision, Computer Graphics, Big Data, Cloud Computing. Start of the fellowship: 1st February 2016 It is noted that: - The University adopts an equal opportunity policy at recruitment and the subsequent career stages and encourages both genders to submit an application for all levels of Academic and Administrative Staff. - The University does not discriminate in any way on the basis of gender, religion or belief, ethnic, national or social origin, age, physical ability, marital status and sexual orientation.

9 years, 2 months

EG 2016 - Call for Doctoral Consortium: Submissions deadline (extended): January 10, 2016

by eurographics＠eg.org

EUROGRAPHICS 2016 - Call for Doctoral Consortium Submissions deadline (extended): January 10, 2016 <http://eurographics2016.pt/call-for-doctoral-consortium/> http://eurographics2016.pt/call-for-doctoral-consortium/ The recently created Eurographics 2016 Doctoral Consortium is a new networking event that provides PhD students, working in all areas of computer graphics, with an opportunity to present their work and interact with distinguished and experienced researchers in the field, receiving feedback and mentoring, as well as a different perspective from senior researchers outside their home institution. The Doctoral Consortium also allows PhD students to share their work and experience with other students in similar situations. The Doctoral Consortium will be co-located with the Eurographics 2016 conference in Lisbon, May 9-13, 2016. PhD students working in all areas of computer graphics are encouraged to apply. We encourage applications from students who are about at the middle of their PhD work the ones who still have time to be influenced by participation in the Consortium, but who already have a clear research direction, and possibly have published some results as well as the ones who are close to finishing, or who have very recently finished, their doctorate degree, to share their experience and to discuss their ongoing research and future research plans. Submission Guidelines Electronic submission should be conducted using the <https://srmv2.eg.org/COMFy/Conference/EG_2016DC> Eurographics Submission and Review Management (SRM) system. Format should be in accordance with <http://www.eg.org/index.php/publications/guidelines> Eurographics Authors guidelines. The review process is single-blinded. Thus, the submissions should NOT be anonymous. All authors of accepted submissions are expected to attend the Doctoral Consortium where they will present their work. Eligible Doctoral students who would like to participate in the Doctoral Consortium should submit the following materials as a single PDF file: 1. Research Statement: A 3-4 pages abstract summarizing her/his dissertation research, singly authored by herself/himself. 2. Poster design in A0 size poster orientation: which will be used by the author to present their work at the Doctoral Consortium. 3. Supervisors letter of support: A one-page signed letter from the students PhD supervisor, that supports her/his attendance at the Doctoral Consortium. 4. Curriculum vitae: A 1-2 pages CV plus the list of all publications. All the four documents must be written in English. For further information regarding the submission guidelines, please see the <http://eurographics2016.pt/call-for-doctoral-consortium/> Eurographics DC webpage. Important dates Submission Deadline (extended): January 10, 2016 Notification of Acceptance: March 11, 2016 Contact For any questions regarding the Doctoral consortium please email the Doctoral Consortium Chairs at <mailto:chairs-eg2016DC@eg.org> chairs-eg2016DC(a)eg.org: Teresa Romão (FCT/Universidade Nova de Lisboa, Portugal) Wolfgang Heidrich (King Abdullah University of Science and Technology, Kingdom of Saudi Arabia)

9 years, 2 months

Computer Graphics International 2016: CFP

by eurographics＠eg.org

************************************************ CFP - Apologies for multiple copies ************************************************ CGI'16 28th June - 1st July 2016 Heraklion, Crete, Greece THE 33rd ANNUAL CONFERENCE WELCOME TO CGI 2016! Computer Graphics International is one of the oldest, international annual conferences in Computer Graphics and one of the most important ones worldwide. It is an essential yearly meeting where academics present their latest models and technologies, and explore new trends and ideas. Since 1983 it has been held in numerous different places worldwide - Geneva, Tokyo, Sydney, and many countries in Europe, Asia, and The Americas. CGI'16: Computer Graphics International 2016, the 33rd annual conference will take place on June 28th - July 1st 2016 in Heraklion, Crete, Greece. Crete is the 5th biggest Mediterranean Island, lies in the southern frontier of Europe and is one of the most popular European tourism destinations. The conference is organized by the Institute of Computer Science of the Foundation for Research and Technology Hellas (ICS-CVRL/FORTH) in cooperation with ACM-SIGGRAPH and The Eurographics Association. Accepted full-length papers will be published in The Visual Computer Journal by Springer. Authors of the highest ranked accepted short papers will be invited to submit an extended version of their work to the Visual Computer Journal; these papers will follow a fast track review process. The rest of the accepted short papers will be published by the ACM Digital Library within its International Conference Proceedings Series. TOPICS We invite original contributions that advance the state-of-the-art in topics related, but not limited to: * Graphics Systems Architectures * Human Computer Interaction * Rendering Techniques * Virtual and Augmented Reality * Shape and Surface Modeling * Physically Based Modeling and Simulation * Scientific Visualization * Data Compression for Graphics * Medical Imaging * Computational and Discreet Geometry * Multimedia and Web Graphics * Mobile Graphics Toolkits * Virtual Heritage applications * Geometric Algebra Computing * Geometric/Clifford Algebras for Graphics * Computational Photography * Visual Analytics * Shape and Image Retrieval * Sketch Based Modeling * 3D Printing * Surface and Volume Deformation * Shape Analysis * Parallel Systems and GPU * Augmented cognition and Mixed Reality * Realistic and Perceptual Rendering * HDR Image and Video Techniques * Augmented Cognition in Mixed Reality * Virtual Heritage * Computer graphics techniques in serious games The scientific program of the conference will also include short papers and posters. The selected 35 best full-length papers will be published in the Visual Computer Journal, by Springer and will be presented orally at the conference. Authors of the highest ranked short papers will be invited to submit an extended version of their work to Visual Computer; these papers will follow a fast track review process. The rest of the short papers will be published online by the ACM Digital Library. Several important Co-Located Events (workshops, Summer Schools and Tutorials) are also supporting the main CGI'16 conference. IMPORTANT DATES FULL PAPERS * Full Paper submission: Feb. 14th 2016 * Full Paper notification: Mar. 25th 2016 * Camera ready full papers due: Apr. 8th 2016 SHORT PAPERS/POSTERS * Short Paper/Poster submission: Apr. 24th 2016 * Short Paper/Poster notification: May 13th 2016 * Camera ready short papers due: May 22th 2016 COMMITTEE * Conference Chair: George Papagiannakis - University of Crete & FORTH, Greece * Program Co-Chairs: * Panos Trahanias - University of Crete & FORTH, Greece, * Daniel Thalmann - EPFL, Switzerland & Nanyang Technological University, Singapore For more details please visit: http://www.ics.forth.gr/CGI2016

9 years, 2 months

EG2016 Education Papers - CFP

by eurographics＠eg.org

Call for Education Papers We are seeking original contributions for presentation and publication in the EG 2016 education track. The scope of the track includes topics in education in computer graphics, computer graphics in education, effective teaching tips and techniques focusing on computer graphics course content, and outstanding student projects in computer graphics. Authors are invited to submit papers, panels and student projects. Education papers should give new insights or experience that improve student learning and that instructors can take into the classroom. Proposals for panels should state the problem to be discussed and include a short statement from proposed panelists. Notes on teaching tips and techniques should describe proven ways to engage student interest or present difficult topics. Notes on outstanding student projects should describe the learning context for the project and show how the student brought individual creativity to the work. We invite submissions related to the following topics: · teaching computer graphics in various curricula including computer science, engineering, and arts; · designing curricula for computer graphics and related disciplines including image processing, animation and games; · promoting undergraduate research in computer graphics; · creating educational programs combining computer graphics with other disciplines; · exploiting visual tools and techniques to teach in other disciplines; · teaching the mathematical foundations of computer graphics and related disciplines. The best papers will be recommended to the editors of prestigious journals in the field, CGF, C&G and IEEECG&A, who may invite the authors of these papers to submit extended versions to their journals. Submission Details Anonymous submissions of up to 8 pages for education papers or up to 2 pages for notes on teaching tips and techniques or outstanding student projects must be formatted according to the <http://www.eg.org/index.php/publications/guidelines> Eurographics Author's guidelines. Submissions will be made electronically through the <https://srmv2.eg.org/COMFy/Account/LogOn?ReturnUrl=%2fCOMFy%2fConference%2f EG_2015edu> Eurographics Submission and Review Management system and subject to a review process. Proposals for education panels should be emailed directly to the education papers co-chairs at <mailto:chairs-eg2016edu@eg.org> chairs-eg2016edu(a)eg.org. Deadlines The submission deadline for education papers is 23:59 UTC/GMT, Friday, January 15th, 2016. Notification to authors will be on Monday, February 15th, 2016. Education Papers Co-Chairs Beatriz Sousa Santos, University of Aveiro, Portugal Jean-Michel Dischler, University of Strasbourg, France International Program Committee Eike Anderson, Bournemouth University,UK Miho Aoki, University of Alaska Fairbanks, USA Gladimir Baranoski, University of Waterloo, Canada Jean-Jacques Bourdin, Université Paris, France Gitta Domik, Universität Paderborn, Germany Giovanni Gallo, Università di Catania, Italy Mark Johnson, Central College, USA Lars Kjelldahl, KTH, Sweden Steve Maddock, University of Sheffield, UK Christopher Peters, KTH, Sweden James Wolfer, Indiana University South Bend, USA

9 years, 2 months

EG'2016 Short Papers Deadline Extension

by eurographics＠eg.org

EG'2016 Short Papers Deadline Extension Due to multiple requests the submission deadline for short papers is extended until Sunday, the 13th of December, 2016. EG'2016 short papers chairs

9 years, 2 months

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