General February 2019

general@eg.org

1 participants
22 discussions

MolVA 2019 Deadline Extension (March 8, 2019) - EuroVis 2019 Workshop on Molecular Graphics and Visual Analysis of Molecular Data

by eurographics＠eg.org

MolVA 2019 - Workshop on Molecular Graphics and Visual Analysis of Molecular Data (co-located with EuroVis 2019), June 3, 2019, Porto, Portugal *** The submission deadline for full papers as well as short papers has been extended to March 8, 2019 *** Suggested topics include, but are not limited to: - Molecular Graphics - Visual Analysis of Molecular Data (e.g., molecular structures, biological networks, and pathways, or omics data) - Visualization of Dynamic Molecular Data - Visualization of Large Molecular Systems - Web-based Molecular Graphics and Visualization - Immersive Analytics approaches using, e.g., VR/AR technologies - Tools papers describing new molecular visualization tools or novel features in existing tools We invite short papers as well as full papers (2-4 pages for short and up to 8 pages for full papers, both with an additional page reserved for references). All papers will undergo a single-stage, double-blind peer review process. Accepted papers will be published in the EG digital library. The workshop will be held in Porto, Portugal, June 3, 2019, as part of EuroVis 2019. Important Dates (NEW!) ************************************************************************ Paper Submission Deadline: March 8, 2019 Notification of Acceptance: April 5, 2019 Camera-ready Deadline: April 15, 2019 Workshop Date: June 3, 2019 More info: http://decibel.fi.muni.cz/~xbyska/molva/ Submission ************************************************************************ Please submit your short and full papers via PCS (Deadline: March 8, 2019): https://new.precisionconference.com/ (EuroVis 2019 MolVA Workshop) Please follow the EG guidelines for writing the paper. You can find more info and templates here: https://www.eurovis.org/submission-guidelines/ https://www.eurovis.org/files/egPublStyle-EuroVis_full-short-stars-posters-… If you have any question, please contact us: molva.eurovis(a)gmail.com <mailto:molva.eurovis@gmail.com> Best regards, Jan Byška, Michael Krone, Björn Sommer MolVA 2019 Organizing Committee

5 years, 6 months

17th EUROGRAPHICS Workshop on Graphics and Cultural Heritage (GCH 2019): Call for papers

by eurographics＠eg.org

********Apologies for cross-posting******** 17th EUROGRAPHICS Workshop on Graphics and Cultural Heritage Safeguarding Cultural Heritage in the Digital Age Sarajevo, Bosnia and Herzegovina, November 6-9, 2019 <https://gch19.ssst.edu.ba/> https://gch19.ssst.edu.ba/ *** Research papers deadline: June 21st (abstract) and June 24th (paper) *** The 17th EUROGRAPHICS Workshop on Graphics and Cultural Heritage (GCH 2019) aims to engage practitioners and researchers across the world working at the interface of novel digital technologies and cultural heritage. Taking place at the heart of the Balkans, in the city of Sarajevo this year's event will explore the role of computer graphics and other digital technologies in safeguarding, preserving and providing access to cultural heritage which might be vulnerable from natural and man-made threats such as climate change, economic hardship, violence and neglect. As such, the event will enable participants to showcase and discuss new technologies and workflows available to heritage professionals to document, monitor, study, conserve/preserve and provide access to both tangible and intangible Cultural Heritage. Interdisciplinary and multidisciplinary approaches are particularly relevant to the event and this is reflected in the diversity of invited contributions. For the research community, GCH 2019 provides an excellent scientific forum to exchange novel ideas and developments as well as to identify future research and application opportunities. For the practitioner community, GCH 2019 provides a unique opportunity to feed into technical developments as well as to identify new techniques and ideas which can be transferred into practice. The event seeks different types of contributions including: 1. Research papers: original and innovative research (maximum 10 pages), 2. Short papers: update of ongoing research activities or projects (maximum 4 pages), 3. Posters: overview of activities (500 words abstract), 4. Tutorials of solutions available to the community, and 5. Special sessions on topics of interest to the workshop. TOPICS Contributions are solicited (but not limited to) in the following topics: - Imaging techniques for Cultural Heritage processes, including visual analysis techniques such as 3D scanning, motion capture, multispectral imaging, X-ray, terahertz imaging, and other techniques allowing to record Cultural Heritage. - Visual data processing and data fusion - Digital libraries, archiving and long-term preservation of 3D documents - Visual analysis of datasets, including semantic-aware representation of digital artefacts (metadata, classification schemes, annotation), similarity search and browsing. - Visualization and virtual museums, including serious games and storytelling - Multi-modal and interactive environments - Spatial and mobile augmentation of physical collections with digital presentations - Digital fabrication, including subtractive and additive methods such as 3D printing - Organizational aspects of cooperation between ICT and CH experts for project development - Best practices and guidelines for deployment of ICT solution in the CH domain, including budgeting and maintenance - User demand and reception of ICT solutions in CH institutions IMPORTANT DATES Research papers deadline: June 21st (abstract), June 24th (paper) Tutorials deadline: July 15th Special sessions deadline: July 15th Short papers deadline: August 12th Poster deadline: August 12th Notification research papers, tutorials and special sessions: July 29th Notification short papers and posters: September 9th Camera ready for all contributions: September 30th PROCEEDINGS All accepted research and short papers will be published by the Eurographics Association and archived in the EG Digital Library. The authors of selected best papers will be invited to submit an extended version to the ACM Journal on Computing and Cultural Heritage (JOCCH, see <http://jocch.acm.org/> http://jocch.acm.org/). We will seek to publish other contributions in collaboration with proposers of tutorials and special sessions.

5 years, 6 months

Pacific Graphics 2019 - Call for Papers

by eurographics＠eg.org

Pacific Graphics 2019 Call for Papers Seoul, October 14-17, 2019 http://pg19.org/ The 27th annual international conference on computer graphics and applications, Pacific Graphics 2019, will take place in Seoul, Korea from October 14-17, 2019. Pacific Graphics is a flagship conference of the Asia Graphics Association. As a highly successful conference series, Pacific Graphics provides a premium forum for researchers, developers, practitioners in the Pacific Rim and around the world to present and discuss new problems, solutions, and technologies in computer graphics and related areas. Original unpublished submissions are invited in all areas of computer graphics and its applications. The topics include (but are not limited to) modeling, rendering, animation, imaging, visualization, human-computer interaction, and graphics systems. Papers should be submitted through the SRM system. Each submission should be 7-12 pages in length for the regular papers or 4-6 pages for the short papers, and will be reviewed by an international program committee for technical quality, novelty, significance, and clarity. All of the accepted papers will be archived in the EG digital libraries and all regular papers will be published in a special issue of Computer Graphics Forum. All submissions will be considered for Best Paper Award and Best Student Presentation Award, which will be conferred during the conference. The goal of the Pacific Graphics conference is to bring together researchers from a variety of fields to present their most recent results, initiate collaborations, and contribute to the advancement of the research area. The conference will consist of regular paper sessions, work-in-progress sessions, and tutorials as well as presentations by a selection of internationally renowned speakers in all areas related to computer graphics and interactive systems. Important Dates Abstract submission: 3 June, 2019 Regular/Short paper submission: 5 June, 2019 Decision notification: 24 July, 2019 Camera ready: 27 August, 2019 Conference: 14-17 October, 2019 Conference Leadership Conference Chairs JungHyun Han, Korea University Carol O'Sullivan, Trinity College Dublin Michiel van de Panne, University of British Columbia Program Chairs Jehee Lee, Seoul National University Christian Theobalt, MPI Informatik Gordon Wetzstein, Stanford University Please feel free to forward this announcement.

5 years, 6 months

Call for Papers: EuroVis Workshop on Trustworthy Visualization (formerly EuroRVVV)

by eurographics＠eg.org

Dear Colleagues, You are kindly invited to contribute to the EuroVis Workshop on Trustworthy Visualization (TrustVis). TrustVis, formerly known as EuroRVVV, will be held as a co-located event with EuroVis 2019 on June 3rd in Porto, Portugal. /// EuroVis Workshop on Trustworthy Visualization /// <http://www.eurovis.org/> http://www.eurorvvv.org/ TrustVis is a continuation of the EuroRVVV workshop, which was held six times in conjunction with EuroVis and IEEE VIS. TrustVis includes the topics covered by EuroRVVV Reproducibility, Verification, and Validation in visualization and also widens the scope. We use the term trust in a broad sense. As a user, trust in a visualization might mean that: * It shows the numbers I know from my spreadsheets (a common use case in industry) * I understand how it is showing the data and I know how to interpret it (HCI, perception, etc.) * It shows results that I can verify or validate by some means (verification, validation) * It employs methods that are based on sound research (reproducibility of research) * If I get sued for a decision I make based on this, I will be able to use it as evidence that I did nothing wrong (reproducibility of decisions) * It shows me the limits of what my data and/or models can provide (uncertainty) Topics we are looking for in the TrustVis workshop include, but are not limited to: * Verification and validation in visualization * Reproducibility of visualization methods and decision making * Ways to improve trust in visualization * Uncertainty visualization * Ways to attack visualization (adversarial visualization) We welcome short paper contributions, which will be peer-reviewed in a one-stage process by an international program committee. They will be electronically archived in the Eurographics Digital Library and are fully citable publications. Submissions for the TrustVis track should be no longer than 4 pages for the main content, plus one page for references. All accepted papers will be presented at the workshop. Besides regular short papers, we also welcome short position papers, where authors have an opportunity to state opinions, present controversial arguments, show on-going work, or share thoughts for future directions. Important Dates: *Paper Submission Deadline*: March 7, 2019 Acceptance Notification: April 10, 2019 Camera-ready Deadline: April 24, 2019 Workshop Date: June 3, 2019 Further details, including the call for papers and submission instructions (coming soon), can be found at <http://trustvis.org/> http://trustvis.org/ The TrustVis 2019 Organizers Robert Kosara // Tableau Software, United States Kai Lawonn // University of Koblenz Landau, Germany Lars Linsen // University of Münster, Germany Noeska Smit // University of Bergen, Norway If you have any questions, please don't hesitate to contact us via <mailto:chairs@trustvis.org> chairs(a)trustvis.org Further details, including the call for paper below, can be found at <http://trustvis.org/> http://trustvis.org/

5 years, 6 months

EG 2019: Posters - deadline extension

by eurographics＠eg.org

The Poster track of Eurographics 2019 has been re-opened. The new deadline for submitting poster presentations is March 3rd. <https://www.eurographics2019.it/index.php/for-submitters/posters/> https://www.eurographics2019.it/index.php/for-submitters/posters/

5 years, 6 months

CFP: SHREC2019 - 3D Shape Retrieval Challenge

by eurographics＠eg.org

CALL FOR PARTICIPATION SHREC2019 - 3D Shape Retrieval Challenge 2019 At Eurographics 2019 Workshop on 3D Object Retrieval <http://3dor2019.ge.imati.cnr.it/> Contact: shrec(a)cs.uu.nl <mailto:shrec@cs.uu.nl> Introduction --------------- The general objective of the 3D Shape Retrieval Challenge is to evaluate the effectiveness of 3D-shape retrieval algorithms. SHREC'19 is the fourteenth edition of the challenge. Like previous years, it is organized in conjunction with the Eurographics 2018 Workshop on 3D Object Retrieval, where the results will be reviewed by the chairs of the workshop and included in the workshop proceedings. Thanks to the efforts of previous track organizers, SHREC already provides many resources to compare and evaluate 3D retrieval methods. For this year's challenge, we aim to explore new and updated tracks. Therefore, the participants are invited to have an active role in the organization of the event. This includes proposing track themes, building or acquiring a test collection, and deciding upon the queries, relevance assessment, and performance measures. The participants of each track will collectively write a paper, which will be published in the proceedings of the Eurographics Workshop 3D Object Retrieval. At least one author per track must register for the workshop, and present the results. We also cordially invite all participants of a track to register and attend the workshop. Tracks -------- The following tracks are organized. For description of tasks, the collections, queries, the evaluation procedure, and time schedule, follow the links or contact the track organizer. 1. Extended 2D Scene Sketch-Based 3D Scene Retrieval Organizers: Juefei Yuan, Hameed Abdul-Rashid, Bo Li (University of Southern Mississippi), Yijuan Lu (Texas State University), Tobias Schreck (Graz University of Technology) Contact: <mailto:juefei.yuan@usm.edu> Juefei Yuan <http://orca.st.usm.edu/~bli/SceneSBR2019/index.html> Web page 2. Extended Image-Based 3D Scene Retrieval Organizers: Hameed Abdul-Rashid, Juefei Yuan, Bo Li (University of Southern Mississippi), Yijuan Lu (Texas State University), Tobias Schreck (Graz University of Technology) Contact: <mailto:hameed.abdulrashid@usm.edu> Hameed Abdul-Rashid <http://orca.st.usm.edu/~bli/SceneIBR2019/> Web page 3. Feature Curve Extraction on Triangle Meshes Organizers:Elia Moscoso Thompson, CNR-IMATI, Genova Contact: <mailto:elia.moscoso@ge.imati.cnr.it> Elia Moscoso Thompson <http://shrec.ge.imati.cnr.it/shrec19_featcurv/> Web page 4. Protein Shape Retrieval Organizers: Matthieu Montes, Florent Langenfeld (Conservatoire National des Arts-et-Métiers, Paris) Contact: <mailto:florent.langenfeld@cnam.fr> Florent Langenfeld <http://shrec2019.drugdesign.fr/> Web page 5. Classification in Cryo-Electron Tomograms Organizers: Ilja Gubins, Gijs van der Schot, Remco C. Veltkamp, Friedrich G. Forster Contact: <mailto:i.gubins@uu.nl> Ilja Gubins <http://www2.projects.science.uu.nl/shrec/cryo-et/> Web page 6. Online detection of simple gestures from hand trajectories Organizers: Fabio Marco Caputo, Andrea Giachetti (University of Verona) Contact: <mailto:fabiomarco.caputo@univr.it> Fabio Marco Caputo <http://www.andreagiachetti.it/shrec19/> Web page 7. Monocular Image-based 3D Model Retrieval Organizers: An-An Liu, Wei-Zhi Nie, Wen-Hui Li, Dan Song, Yu-Qian Li, He-Yu Zhou, Shu Xiang, Wei-Jie Wang (Tianjin University) Contact: <mailto:liwenhui@tju.edu.cn> Wen-Hui Li <http://media.m2i.ac.cn/MI3DOR/> Web page 8. Shape Correspondence with Isometric and Non-Isometric Deformations Organizers: Roberto Dyke, Caleb Stride, Yu-Kun Lai, and Paul L. Rosin (Cardiff University) Contact: <mailto:DykeRM@cardiff.ac.uk> Roberto Dyke <https://shrec19.cs.cf.ac.uk/> Web page 9. Correspondence in Humans with Different Connectivity Organizers: Simone Melzi, Riccardo Marin (University of Verona), Emanuele Rodolà (Sapienza University of Rome), Umberto Castellani (University of Verona) Contact: <mailto:simone.melzi@univr.it> Simone Melzi <http://profs.scienze.univr.it/~marin/shrec19/> Web page Procedure ------------- The following list is a step-by-step description of the activities: 1. Track organizers have sent their proposal describing the envisioned task, collection, queries, ground truth, evaluation method, and expected number of participants. 2. The tracks are selected, and are listed at the SHREC web page. The track organizers start up their track. 3. Participants register for the tracks they want to participate in. 4. Each track is performed according to its own time schedule. 5. The track organizers collect the results. 6. The track results are combined into a joint paper, to be included in the proceedings of the Eurographics Workshop on 3D Object Retrieval. 7. The description of the tracks and their results are presented at the <http://3dor2019.ge.imati.cnr.it/> Eurographics Workshop on 3D Object Retrieval (5, 6, May 2019) SHREC Time Schedule -------------------------- February 1, 2019: Submission deadline for track proposals. February 4, 2019: Notification of acceptance of track proposals. February, March, 2019: Each track has its own time line. The individual tracks will have their own time schedule for registration of participants, release of queries or submission of executables, and submission of results, etc. March 15, 2019: Each track is finished, and results are included in a track report, submitted to shrec(a)cs.uu.nl <mailto:shrec@cs.uu.nl> for review. March 25, 2019: Reviews done, feedback and notifications given. April 5, 2019: Camera ready track papers submitted for inclusion in the proceedings. May 5-6, 2019: <http://3dor2019.ge.imati.cnr.it/> Eurographics Workshop on 3D Object Retrieval, featuring SHREC 2019. The individual tracks will have their own time schedule for registration of participants, release of queries or submission of executables, and submission of results, etc.

5 years, 6 months

Eurographics Bookshop Clearance

by eurographics＠eg.org

Bookshop Clearance Eurographics is having a clearance sale of printed proceedings, that are held in stock in Germany. Items will be supplied subject to availability! Those books will be offered free of charge to people who are willing to pay the delivery costs in advance. Don't miss this occasion to complete your own library - so please have a look at the list of books available. https://diglib.eg.org/bitstream/handle/10.2312/15058/books_available.pdf How do you place an order? Please contact: publishing-support(a)eg.org <mailto:publishing-support@eg.org>

5 years, 6 months

ACM/EG Expressive 2019 - Call for Submissions - Extended Deadline

by eurographics＠eg.org

ACM/EG Expressive 2019 Call for Submissions <http://expressive.graphics/2019/submissions/> http://expressive.graphics/2019/submissions/ Paper deadline: February 21, 2019 March 3, 2019 Acceptance by: March 21, 2019 Camera-ready: April 5, 2019 Symposium: May 5-6, 2019 Artworks/posters/demos by: Rolling notification, closes March 15, 2019 The Expressive symposium explores the capacity of computer graphics, animation, and computational media to be used in artistic, aesthetic, and creative ways. The field can be seen as encompassing problems in expressive understanding, expressive communication, and expressive interaction: * Expressive understanding integrates aspects of computer science, philosophy, psychology, and the fine, applied, and performing arts, investigating theoretical approaches that further our understanding of aesthetic evaluation, perception and meaning. * Expressive communication focuses on imagery and motion which is expressive rather than photorealistic, although it may incorporate realistic elements. * Expressive interaction explores models, algorithms, and technologies for sketch-based interfaces, particularly classifying and recognizing hand-drawn shapes as a way to create or edit digital models, text, mathematics, or 3D shapes. <http://expressive.graphics/2019> Expressive 2019 will take place in Genova, Italy, May 5-6, 2019 co-located with <https://www.eurographics2019.it/> Eurographics 2019 in Genova. Expressive technical papers will be submitted, evaluated, and presented in a single, unified track. This unification reflects the ongoing evolution of the symposium, which originated as the union of three separate events: Computational Aesthetics (CAe), Non-Photorealistic Animation and Rendering (NPAR), and Sketch-Based Interfaces and Modelling (SBIM). The symposium will also include an arts program, posters and demos, and presentations of published journal articles. <http://expressive.graphics/2019/submissions/#call-for-papers> > Call for Papers <http://expressive.graphics/2019/submissions/#call-for-posters-and-demos> > Call for Posters and Demos <http://expressive.graphics/2019/submissions/#call-for-artworks--generative- chronicles> > Call for Artworks <http://expressive.graphics/2019/submissions/#call-for-journal-presentations > > Call for Journal Presentation _____ General Co-Chairs: Joaquim Jorge, Instituto Superior Técnico, Portugal Lyn Bartram, Simon Fraser University, Canada Chiara Eva Catalano, Institute for Applied Mathematics and Information Technologies, Italy Program Co-Chairs: Craig Kaplan, University of Waterloo, Canada Angus Forbes, University of California, Santa Cruz, USA Stephen DiVerdi, Adobe Research, USA Arts Program Co-Chairs: Daniel Berio, Goldsmiths, University of London, UK Pedro Cruz, Northeastern University, USA Posters and Demo Chair: Jose Echevarria, Adobe Research, USA Publicity Chair: Amir Semmo, Hasso Plattner Institute, University of Potsdam,Germany

5 years, 6 months

SHREC'19 track Matching Humans with Different Connectivity

by eurographics＠eg.org

/We apologize for multiple messages/ This is to invite you to participate in the following tracks of SHREC'19: SHREC'19 track Matching Humans with Different Connectivity SHREC'19 track: why connectivity? Although recent publications in the field of shape analysis achieve high-quality results in point-to-point matching, their quantitative evaluations have been performed only on meshes that share the connectivity. The aim of this track is to evaluate the performance of the automatic algorithms or signatures for point-to-point matching when the shapes to be matched have different connectivity. We consider the concurrent presence of 1) different meshing, 2) rigid transformation in 3D space, 3) non-rigid deformations, 4) different vertex density, ranging from 5K to more than 50K, and 5) topological changes induced by mesh glueing in areas of contact. The correspondence between these shapes is obtained through the recently proposed registration pipeline FARM (FARM: Functional automatic registration method for 3D human bodies, Marin et al, arxiv 2018). For further information see: <http://profs.scienze.univr.it/~marin/shrec19> http://profs.scienze.univr.it/~marin/shrec19 Best regards, Simone Melzi, Riccardo Marin, Emanuele Rodolà and Umberto Castellani.

5 years, 7 months

SHREC 2019 Shape Correspondence with Isometric and Non-Isometric Deformations contest

by eurographics＠eg.org

Dear All, We are running a SHREC contest (results will be presented at the Workshop on 3D Object Retrieval, which is collocated with Eurographics in Genova, 5-6 May 2019) on Shape Correspondence with Isometric and Non-Isometric Deformations. If you are interested in participating see https://shrec19.cs.cf.ac.uk/ for the data and details of the task. The submission deadline is March 01, 2019. Best regards, Yukun -- Dr. Yu-Kun Lai School of Computer Science & Informatics Cardiff University, UK http://users.cs.cf.ac.uk/Yukun.Lai - Dr. Yu-Kun Lai Ysgol Cyfrifiadureg a Gwybodeg Prifysgol Caerdydd

5 years, 7 months

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General February 2019