Call for Papers for Computational Aesthetics 2007
(CAe 2007),
held on June 20-22, 2007 in Banff, Alberta, Canada
Our ability to convey complex meaning and emotion
by the clever
arrangement of symbols and signs is one of the most celebrated
aspects
of our human heritage. If Aesthetics is defined as the
interaction
between symbol and observer within a social context,
then
Computational Aesthetics is the empirically based field that
examines
applications of Aesthetics. Computational Aesthetics
integrates
aspects of computer science, psychology, and the visual arts,
with
particular focus on the mathematical and information theoretic
aspects
of symbol processing by humans and computers. By combining
insights
from these fields, Computational Aesthetics not only provides
tools
for the graphics and visualization communities to increase the
value
of displayed imagery and to avoid classical artifacts, but
also
furthers our understanding of perception and meaning. Computer
based
tools, resulting from Computational Aesthetics research, may also
be
used to enhance the expressive power of the fine and applied arts
and
to expand the role of aesthetic design as a differentiating factor
in
product development and retail sales.
We are pleased to announce the third workshop on
Computational
Aesthetics, which will take place in Banff, Alberta, Canada on
June
20-22, 2007. It is the third event on this topic following a
Workshop
in 2005 in Girona, Spain, and a Dagstuhl seminar in Germany
in
2006. This conference will bring together individuals with
technical
backgrounds who are developing computer based tools to solve
aesthetic
problems and people with artistic and design backgrounds who use
these
new tools in their work. Invited talks will be given by
leading
technical and artistic/design figures to help participants to
better
understand what computer technology is capable of delivering and
to
fully appreciate what is involved in the artistic and design
process.
Refereed papers will also be presented to provide a snapshot
of the latest
technical breakthroughs and the most recent artistic or
design achievements
in applying computer based techniques to solve
aesthetic problems. The
overriding goal of the conference will be to
facilitate a dialogue between
the scientists and engineers who are
creating these new tools and the artists
and designers who are the end
users.
Submissions are invited across the broad range of
areas covered by
Computational Aesthetics. Specific examples include, but are
not
limited to:
* Artistic Image Transformation Techniques (colors,
edges,
patterns, dithering)
* Image Analogies, Style Transfer
Methods
* Sketching, Simplification techniques (artistic, cognitive)
*
Composition, Visual Balance, Layout
* Non-Photorealistic Rendering
* Image
Style Analysis (Paintings, Photographs, others)
* Empirically based Metrics
of Aesthetical Attributes
* Applied Visual Perception (Color Appearance,
Spatial Vision,
and other aspects)
Submitted papers should be original, unpublished
work of up to 8
pages. The manuscripts must be written in English. For
more
information including paper formatting and submission guidelines
see
the website at http://innovis.cpsc.ucalgary.ca/cae2007/
Please note
that this call for technical contributions is complemented by a
call
for participation by experts in the visual arts, for details see
the
website.
Important dates:
Abstract submission
deadline: March 5, 2007
Submission
deadline:
March 12, 2007
Acceptance
notification: May 1,
2007
Camera-ready
deadline: May 18,
2007
Conference:
June 20-22, 2007
Conference Chairs:
Sheelagh Carpendale,
University of Calgary, Canada
Brian Wyvill, University of Calgary,
Canada
Program Chairs:
Douglas W. Cunningham,
University of Tübingen, Germany
Gary Meyer, University of Minnesota,
USA
László Neumann, University of Girona, Spain
Arts Program Chair:
Alan Dunning, Alberta
College of Art and Design, Canada