We are looking for a doctoral candidate in our team at Inria Bordeaux (France), as part of the <https://explora-network.github.io/web/> EXPLORA European Doctoral Network which will start in February 2026.
Eligible candidates should have completed their Master 2 either this year or before September 2026.
A solid knowledge in 3D/GPU programming is required. Experience in XR/VR devices or experimental design would be great.
In a nutshell, the main goal of the project on our side is to design computer graphics techniques in live virtual experiments on material, shape and dynamics perception, involving touch, head and eye trackers.
We are both interested in understanding which exploration strategies bring about relevant visual cues, and whether we can predict how perception would be altered by real-time interventions.
The detailed project, called "Embodied exploration of virtual scenes", is available here : https://manao.inria.fr/files/2025/10/Explora_PhD.pdf
Call for Short Papers
Authors are invited to submit short papers [4 pages max] that present self-contained, complete, compact works on all areas related to computer graphics, such as rendering, modeling, visualization, animation, simulation, virtual reality, computer vision, computer-aided design, digital fabrication, imaging and computational photography. We particularly invite submissions which present tangible and practically useful improvements to the state of the art, but which are not thematically wide enough to justify an entire full paper. What we would like to see as short papers are individual smart ideas and intriguing findings that might otherwise remain unpublished, due to them standing in isolation – as opposed to falling within the context of some larger scientific endeavour, where they can be easily mentioned in the corresponding publication.
Accepted short papers will be published in the Short Papers digital media proceedings and in the Eurographics Digital Library. Authors of accepted papers will be expected to present their work as an oral presentation at the conference.
Timeline
All following deadlines are at 23:59 UTC:
* [Fri] Jan. 16, 2026: Submission deadline
* [Fri] Mar. 13, 2026: Notification to Authors
* [Mon] Apr. 13, 2026: Camera-ready version due
* [Fri] Apr. 24, 2026: Fast-Forward video due
* [Mon] May 4, 2026: Conference begins!
Submission Details
Submissions will be made electronically through the Eurographics Submission and Review Management (SRM) system. Submitted papers must be anonymous, up to 4 pages in length, and formatted according to the Eurographics Author’s guidelines (short papers LaTeX style package available from the SRM system).
Authors of accepted papers will present a super short summary or a teaser during a fast-forward session. This presentation will be around 25 seconds (exact length to be decided) and shall be augmented by slides. To ensure a smooth organization, they will be asked to prepare a short video of the slides for this purpose, in two versions: one with the spoken text and one without. These FF presentations will be available on the web throughout the conference. Details will be sent to accepted paper authors.
Plagiarism
A submission to the Eurographics Short Papers program should describe an original work of the authors. Authors must not use ideas or content originating from others without properly crediting their original sources. Note that such sources are not limited to peer-reviewed publications but also include patents, textbooks, technical reports, theses, unpublished work posted on arXiv, and other posts on the World Wide Web. Failure to comply with this requirement will be considered plagiarism and result in rejection.
Prior Art
Authors are expected to cite, discuss differences and novelty, and compare results, if applicable, with respect to relevant existing publications, provided they have been published in a peer-reviewed venue.
This also applies to patents, which also undergo a professional reviewing process. But what about technical reports, and other non-peer-reviewed publications, such as technical reports or papers posted on arXiv, which we henceforth refer to as pre-publications? With the rapid progress of search engines and the increased perusal of arXiv papers by the scientific community, asking authors to thoroughly compare their work to these pre-publications imposes an unreasonable burden — a seemingly relevant report that is incomplete in its disclosure or validation might appear online shortly before the deadline. Although peer-reviewed publications are certainly not immune to these shortcomings, they have, at least, been judged sufficiently complete and valid by a group of peers. Consequently, authors are not required to discuss and compare their work with recent pre-publications (arXiv, technical reports, theses, etc.), although they must properly cite those that inspired them (see “Plagiarism” above). Nevertheless, we encourage authors to mention all related works they are aware of as good academic practice dictates. Note that with new works posted on arXiv on a daily basis, it is increasingly likely that reviewers might point out similarities between the submitted work and online reports that have been missed by the authors. In this case, authors of conditionally accepted papers should be prepared to cite these pre-publications in their final revision as concurrent work, without the burden of having to detail how their work compares to or differs from these pre-publications.
arXiv Policy
As authors, putting a submission on a repository like arXiv is allowed, either before submission or during the review cycle. There is no penalty for publishing a submission as a prepublication. However, if there are largely overlapping prepublications of the same authors that are available online at the time of submission (arXiv), earlier or largely similar versions of the submission should not be cited in the submission because this would identify the authors. This is consistent with the submission guidelines at SIGGRAPH and CVPR/ECCV/ICCV. After submission, the authors should try to preserve the anonymity of the submission. Specifically, the following list clarifies what is allowed and what not.
Allowed:
* arXiv postings before and after the submission deadline. Do not state that the submission is under review for Eurographics.
* YouTube video on personal account. Do not show submission id or anything that could relate to a Eurographics submission. Authors can link the videos from the arXiv page or personal web page.
* Code release on personal code repositories (e.g., github). Authors can link the code repository from the arXiv or personal web page.
* It is ok to list submissions in job applications and in interviews as long as they are not referred to as Eurographics submissions.
* It is ok to present the work in non-public venues in particular job talks as long as they are not referred to as Eurographics submissions.
* It is ok to list submissions on author’s webpages as long as they are not referred to as Eurographics submissions.
* It is ok to publicize the work via authors’ social media as long as they are not referred to as Eurographics submissions.
Not allowed:
* It is not allowed to list submissions on institutional websites irrespective of the presentation form.
* No publicity via university or company PR teams regardless of whether authors or institutions are kept anonymous – this includes any postings or dissemination via institutional or promoted social media accounts.
* No media interviews regardless of mainstream media or tech-focused outlets (small-scale, non-public seminars are allowed).
* Do not post papers or supplementary material on university, company, or other private servers that may identify preprints as Eurographics submissions.
Generative AI policy
Authors can utilize Generative AI tools to assist with grammar corrections while preparing their submissions. However, authors are responsible for any misrepresentation, factual inaccuracy, or plagiarism in their submission. Papers containing citations of non-existent material or obvious factual inaccuracies will be rejected when found, and may be rejected without review.
In-Person Presentation Policy
Please consider our new in-person presentation policy: Physical attendance in combination with appropriate presentation of accepted work is at the very heart of a scientific conference. This year, at EG26, we would like to make explicit what this entails, so that both authors and audience get the best experience and the integrity of scientific discussion is maintained. Hence,
* If authors of accepted work do not present in person the work will not be published. Remote presentation or pre-recorded material is not considered a presentation.
* At any rate, at least one co-author has to register.
* Exceptional circumstances, such as related to health or visa issues, might apply to 1., but require a formally documented case and approval by the Chairs / Track Chairs.
Contact
For any questions concerning short paper submissions, please do not hesitate to contact the program co-chairs:
* Przemyslaw Musialski, New Jersey Institute of Technology
* Isaak Lim, RWTH Aachen University
Email: chairs-eg2026short(a)eg.org <mailto:chairs-eg2026short@eg.org>
----------------------------------------
EG2026 - Call for tutorials
----------------------------------------
The deadline for full papers has passed, and we now invite you to reveal the
secrets behind your favorite contributions in computer graphics and digital
geometry processing.
Call for contributions EUROGRAPHICS 2026 Tutorials track
The 47th Annual Conference of the European Association for Computer Graphics
will take place on May 4-8 2026 in Aachen, Germany.
The Eurographics 2026 Tutorials Committee invites you to propose
high-quality presentations and materials on the technical background of a
given subject or demonstrating its potential creative applications.
Tutorials are intended to show what can be done, but even more importantly,
how this is done and what kind of tools can be used to do it. In a proposal
for a tutorial, you should consider that tutorial attendees come from
diverse backgrounds, ranging from research and development to education and
application.
We are soliciting half-day and full-day tutorial proposals at the beginning,
intermediate, or advanced level in all areas pertinent to Computer Graphics.
Half-day tutorials are about three hours, plus a coffee break in the middle.
Full-day tutorials are twice that long, plus two coffee breaks and a longer
lunch break. Full-day tutorials should be motivated by sufficient scientific
material. Tutorial proposals are about 4-5 pages in length, clearly
indicating the audience that is addressed as well as the syllabus of
instruction. They will be reviewed by the tutorial chairs, supported by
external reviewers. The final selection will be based on the quality of the
submission, qualification of the presenters, relevance to the conference
topics, and balance of topics.
Digital support materials of accepted tutorials will be made available to
every Eurographics registered participant and included in the Eurographics
digital library. Eurographics does not require copyright for the tutorial
notes it publishes. The tutorial speakers may reuse their material freely.
For each accepted tutorial, one free registration is provided per half-day
of that tutorial.
_____
Timeline (all deadlines are 23:59 UTC):
[Tue] Dec. 2, 2025: Submission of full tutorial proposals
[Tue] Jan. 6, 2026: Acceptance/rejection notification
[Mon] Mar. 23, 2026: Submission of final material
[Mon] May 4, 2026: Conference begins!
_____
Submission Details
Tutorial proposals (in PDF) should be submitted by using the
<https://srmv2.eg.org/COMFy/Conference/EG_2026TUT> Eurographics Submission
and Review Management (SRMv2) System.
More information on Eurographics 2026 and an extended version of this CfP
and submission instructions are available at:
<https://eg2026.github.io/call_for_tutorials/#call_for_tutorials>
https://eg2026.github.io/call_for_tutorials/#call_for_tutorials
Eurographics 2026 Tutorial Track Chairs,
<mailto:chairs-eg2026tut@eg.org> chairs-eg2026tut(a)eg.org
· Raphaëlle Chaine, Claude Bernard University Lyon 1
· Amir Vaxman, The University of Edinburgh
The 18th annual ACM SIGGRAPH conference on Motion, Interaction and Games (MIG 2025) will take place at ETH Zurich in Switzerland, December 3-5, 2025.
The Early Bird Registration for MIG 2025 will close on October 15, 2025. Please register to help our conference chairs with event planning!
Instructions can be found at:
https://mig.siggraph.org/2025/attend/
We are excited to announce our three keynote speakers:
Prof. Dr. Marc Erich Latoschik
Title: Determinants of a Metaverse: From Avatars to Zero Latency
Marc Erich Latoschik is Professor and Chair for Human-Computer Interaction at the University of Würzburg, where he leads one of the top research groups worldwide in Extended Reality (XR). His work bridges computer science, AI, psychology, and cognitive sciences, with a focus on immersive and interactive systems.
Prof. Dr. Barbara Solenthaler
Title: From Digital Humans to Digital Patients
Barbara Solenthaler is a Titular Professor at the Computer Graphics Lab, Department of Computer Science, ETH Zurich. Her research focuses on animation and simulation, with a particular emphasis on the intersection of computer graphics and healthcare, where her team develops technologies for 3D digital patient twins.
Prof. Dr. Amit H. Bermano
Title: Taming the beast: Controllability for Generative Diffusion Models
Amit H. Bermano is an associate professor at Tel-Aviv University. His research focuses on visual computing, with an emphasis on generative models in various visual domains including images, video, animation, and geometry.
More details, abstracts, bios, industry speakers, a list of accepted papers and a preliminary program are also available at:
https://mig.siggraph.org/2025/program/
We hope to see you at MIG 2025 in Zurich!
Program Chairs:
Sophie Jörg, University of Bamberg
Nuria Pelechano, Universitat Politècnica de Catalunya
Conference Chairs:
Robert W. Sumner, ETH Zurich
Fabio Zünd, ETH Zurich
Poster Chair:
Panayiotis Charalambous
Call for Papers – EUROGRAPHICS 2026 – Education Track
The 47th Annual Conference of the European Association for Computer Graphics will take place on May 4-8 2026 in Aachen, Germany. The Education track of this conference is one of the premier venues for computer graphics education and we seek to showcase innovative education research in Computer Graphics and related areas such as game development and visualization.
The scope of the track includes topics in education concerned with computer graphics and related areas, relevant teaching/classroom experience, as well as assignments for use in these subject areas. We invite authors to submit papers, panels and outstanding student projects specifically related but not limited to the following topics:
* Teaching Computer Graphics courses to diverse audiences and levels.
* Teaching related areas such as Visualisation, Animation, VR/AR/XR, 3D printing, and Game Development.
* Designing and teaching face-to-face, online and hybrid courses in the abovementioned areas.
* Enabling and exploiting visual tools and techniques to teach in other disciplines.
* Promoting undergraduate research in Computer Graphics.
* Curriculum design, industry collaborations, and student experience.
* Equity, Inclusion & Accessibility in computer graphics education and related fields
All papers and supplementary material will be published in the Eurographics Digital Library. Authors of selected high-quality papers will get invited to submit an extended version of their work to a journal, e.g., Computer & Graphics.
Important Dates (all deadlines are 23:59 UTC):
[Fri] Feb. 6, 2026: Submission deadline
[Fri] Mar. 13, 2026: Notification to authors
[Fri] Apr. 3, 2026: Camera-ready deadline
[Mon] May 4, 2026: Conference begins!
More information on Eurographics 2026 and an extended version of this CfP and submission instructions are available at: https://eg2026.github.io/call_for_education_papers
Eurographics 2026 Education Track Chairs, chairs-eg2026edu(at)eg(dot)org
Birte Heinemann, RWTH Aachen University
Burkhard Wünsche, University of Auckland
<https://www.datavismasterclass.org/>
Learn Visual Design, Branding, and Storytelling from Leading Practitioners
The <https://www.datavismasterclass.org/> Data Visualization Masterclass is an intensive, in-person training event taking place on 27 October 2025 at IBPS, part of Sorbonne University in Paris.
Organized by the team behind the <https://vizbi.org/one-pager> VIZBI workshop series, this event is designed for researchers, engineers, and visualization specialists who want to sharpen their ability to analyze, interpret, and communicate complex data visually.
Learn cutting-edge approaches in visual analytics and data-driven storytelling directly from leading practitioners <https://vizbi.org/2024/People#Se%C3%A1n_O'Donoghue> Seán O'Donoghue, <https://stoltedesign.com/> Christian Stolte, <https://www.linkedin.com/in/tabea-rauscher-06472a89/> Tabea Rauscher, and <https://animini.nl/> Vera Williams.
The program covers DataVis principles, visual design methods, and animation techniques with applications across science, technology, and engineering. A key feature is the hands-on session, where you apply the material to your own data challenges and receive expert feedback.
As a Eurographics member, you get a 25% discount with promo code EG-MEMBER-RATE, plus an additional 50% discount when registering with a colleague using a ‘2-for-1’ ticket. Register now to secure your spot.
📅 Time & Date: 9:00 AM–5:00 PM, Monday, October 27, 2025
📍 Location: IBPS, 4 Place Jussieu, 75005 Paris, France
🌐 Website: <http://datavismasterclass.org/> datavismasterclass.org
<https://www.datavismasterclass.org/fr/paris#register>
CALL FOR FULL PAPERS
EuroVis 2026, 8-12 June 2026, Nottingham, UK
https://www.eurovis.org.uk/
Abstract deadline: Nov. 26, 2025 (Wednesday)
Full paper deadline: Dec. 3, 2025 (Wednesday)
We invite original submission of high-quality papers that will set the
standard and stimulate future trends in the field of visualization and
visual analytics. Accepted full papers will be published in a special
issue of Computer Graphics Forum, the International Journal of the
Eurographics Association, after a two-stage peer-reviewing process. All
accepted papers will be presented orally at the conference.
Further Details: https://eurovis.org.uk/full-papers/
Contact Email: fullpapers(a)eurovis.org
Full papers co-chairs:
Bei Wang, Natalia Andrienko, Min Chen
EuroVis 2026: Call for Workshops - Final Reminder - PCS Submission Track Available
https://eurovis.org.uk/workshops/
We solicit workshops related to all areas of visualization. These informal workshops in EuroVis provide a setting for participants to discuss advanced topics in visualization, involve experts in the field, disseminate work in progress, and promote new ideas. Workshops at EuroVis are open to all registered attendees (“invitation only” workshops will not be approved).
Important Dates
* Proposal Submission: Monday, September 29, 2025
* Notification: Monday, October 13, 2025
All deadlines are at 11:59 pm (23:59) AoE Anywhere on Earth (AoE<https://time.is/Anywhere_on_Earth>)
Workshops should:
* Emphasize emerging ideas, concepts, or technologies that are currently too nascent or too interdisciplinary for a full symposium;
* Encourage information flow not solely from the presenters to the audience but rather engage the participation of all attendees, for example, through collective or small group discussions.
Possible topics may include emerging or persisting problems, developing research agendas, networking to find common interests and possibilities for cooperation, interacting with domain experts involving analysis of their domain problems, etc.
When choosing workshop topics to propose, please consider pre-approved workshops and try to avoid large overlaps:
* EGPGV
* EuroVA
Note that workshops remain extremely well attended, but as new associated events and publication formats are introduced to EuroVis, the number of submitted papers may drop from previous years. So, a more interactive format (rather than one based mainly on presentations of submitted papers) is encouraged.
Submission requirements
Workshop proposals should include:
* a title,
* the contact details of the organizers,
* a brief description of the organizers’ background, related publications, and research,
* the planned activities (e.g., mainly talks, mainly interactive sessions, a mix), including an outline schedule for the program—workshops are strongly encouraged, though not required, to consider ways to engage all participants interactively,
* the intended result and impact of the workshop,
* a brief justification for why this workshop is necessary (e.g., why would the topic benefit from a more informal setting, in what ways is the topic emergent or a relatively poor fit for the main conference program, etc.),
* a chosen measure for a successful CFP (e.g., number of submissions), possibly including an outline for a “backup policy” (e.g., changing the workshop format or voluntarily withdrawing the workshop before acceptance notification is sent, but should not require the workshop organizers to submit emergency papers to their own workshop),
* a statement of the organization and the development of the list of participants (intended size, detailed selection procedures, and timeline for finalizing workshop presenters),
* a list of any special technology needed,
* the number of poster slots requested, if the workshop intends to feature posters, and
* the proposed dates for the call for participation, author notification, and camera-ready deadlines (author notification must be before the early registration deadline for EuroVis; for inclusion of materials in the EG digital library and/or the downloadable proceedings, the camera-ready deadline must be 4 weeks prior to the conference).
Because the number of workshop time slots is limited, half-day workshop proposals are strongly encouraged. However, well-justified full-day proposals will also be considered. Full-day proposals may optionally state what changes would be implemented to allow the workshop schedule to fit within a half day.
If the proposed workshop is a follow-up of a previous workshop, please include a critical reflection of the prior workshop(s), including a discussion of the results and evidence of impact.
The proposal should not exceed four pages. Please use the template file from https://www.eurovis2025.lu/fileadmin/files/egPublStyle-EuroVis_full-short-s…
Attendance
At least one author for each paper must register and attend the conference in person.
Evaluation criteria
The workshops aim to include various topics and a healthy mix of new and recurring events. Repeat submissions will be partially judged by the previous workshop's success. Workshop success will be judged subjectively, but popularity, research impact, visibility, and attendee feedback will all be considered. Specifically, the workshop proposals will be evaluated according to the following criteria:
* The potential for inspiring people, being influential, and opening new lines of research,
* The degree to which the workshop provides a more interactive environment for participants—all things being equal, preference will be given to workshops that emphasize participant interaction,
* The coherence of the proposed topic and the degree to which it would benefit from a workshop environment,
* The ability to attract people and make them excited about the workshop,
* The appropriateness with respect to EuroVis topics,
* If this workshop has special needs, the feasibility of the proposed plan, including financial, logistics, scheduling, and coordination impact, is also important.
The workshop chairs will balance the proposed topics to support the diversity of topics within EuroVis and complement the main program.
Organizers should consider what steps they will take to encourage diverse participants in their workshop (e.g., a balance of experience, background, gender, etc.) to make participation as inclusive as possible.
If accepted, workshops are required to prepare a short summary (50–100 words) for the workshop website and the web program.
Workshop Support
The workshop organizers will receive the following support from the EuroVis conference:
* One complimentary 1-day registration for an invited speaker,
* Room and AV support suitable for around 50 attendees,
* Food and beverages for attendees: coffee breaks throughout the day, Sunday evening opening reception, space in the poster display area, if requested (from a limited pool set aside for standard workshops; available space depends on the specifics of the venue; early requests given priority over late requests),
* PCS (Precision Conference Solutions) support for managing submissions and the review process,
* EuroGraphics Digital Library publication of the workshop proceedings, if requested (considered archival).
Note that each workshop participant will need to register to attend the EuroVis conference.
Workshop Chairs
* Angelos Chatzimparmpas, Utrecht University
* Guido Reina, Universität Stuttgart
* Cagatay Turkay, University of Warwick
Dear Colleagues,
This is a friendly reminder that the abstract and submission form deadline for the Eurographics 2026 Full Papers Track is approaching soon.
Abstract and Submission Form deadline: September 22, 2025
Full Paper deadline: September 26, 2025
Details: https://eg2026.github.io/call_for_full_papers/#call_for_full_papers
A short version of the Call for Papers can be found below.
Call for Full Papers
For its 47th edition, the EUROGRAPHICS 2026 Full Papers Program will showcase innovative research in Computer Graphics and related areas. We invite submissions of new ideas and encourage all forms of research creativity, from all areas related to Computer Graphics, including but not limited to: rendering, modeling, animation, generative AI, deep learning for graphics, simulation, geometry processing, image/video editing, fabrication, 3D printing, computational imaging, display technologies, graphics hardware, human-computer interaction, visualization, virtual and augmented reality.
In addition to novel algorithms, Eurographics welcomes submissions introducing new datasets and benchmarks, or original experimental studies that advance computer graphics.
All submissions will undergo a double-blind two-step review process. Accepted full papers will be presented at the Eurographics 2026 conference and published in the <https://onlinelibrary.wiley.com/journal/14678659> Computer Graphics Forum journal.
Furthermore, we are pleased to announce the presence of renowned keynote speakers:
* George Drettakis (Inria Université Côte d’Azur)
* Jaakko Lehtinen (Aalto University / NVIDIA)
* Lourdes Agapito (University College London / Synthesia)
* Bernd Bickel (ETH Zurich)
* Anatole Lécuyer (Inria Rennes/IRISA)
* Björn Ommer (Ludwig Maximilian University of Munich)
Eurographics 2026 will be hosted in Aachen, Germany, on May 4th-8th, 2026.
Important Dates (all deadlines are 23:59 UTC):
* [Mon] Sep. 22, 2025 : Abstract and submission form deadline (*REQUIRED*)
* [Fri] Sep. 26, 2025 : Full paper deadline
* [Wed] Nov. 19, 2025 : Reviews released
* [Wed] Nov. 26, 2025 : Rebuttal due
* [Mon] Dec. 15, 2025 : Notification for conditional acceptance or rejection
arXiv Policy: Eurographics maintains the same arxiv policy as SIGGRAPH.
More information on Eurographics 2026 and an extended version of this CfP are available at: <https://eg2026.github.io/> https://eg2026.github.io/
Eurographics 2026 Full Papers Chairs, chairs-eg2026full(at)eg(dot)org
Belen Masia, Universidad de Zaragoza
Justus Thies, Technical University of Darmstadt
Dear colleagues,
Apologies for multiple posting.
The following is to inform you that the deadlines for the Papers/Posters submission have been extended. In particular:
Abstract: Sept 19th, 2025 —> Sept 23rd, 2025
Full Papers/Posters: Sept 26th, 2025 —> Sept 30th, 2025
More details can be found here<https://www.stag-conference.org/2025/pages/call-for-papers.html>.
Best regards,
The Program Chairs
Marc Comino Trinidad, Universidad Rey Juan Carlos
Claudio Mancinelli, University of Genoa
The Poster Chairs
Chiara Romanengo, National Council of Research
Filippo Maggioli, Università Telematica Pegaso