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15th EUROGRAPHICS Workshop on Graphics and Cultural Heritage: Call for Papers

by eurographics＠eg.org

Call for Papers 15th EUROGRAPHICS Workshop on Graphics and Cultural Heritage Graz, Austria, September 27-29, 2017 http://gch17.tugraz.at/ Full Paper Deadline: May 05, 2017 The 15th EUROGRAPHICS Workshop on Graphics and Cultural Heritage (GCH 2017) aims to foster an international dialogue between ICT experts and CH scientists to advance the understanding of critical requirements for processing, managing, and delivering cultural information to a broad audience. The objective of the workshop is to introduce and showcase new techniques and applications for supporting Cultural Heritage information ranging from data acquisition, analysis and synthesis, 3D documentation, and data management, to new forms of interactive presentation and 3D printing solutions. Interdisciplinary approaches for analysis, classification and interpretation of cultural artefacts are particularly relevant to the event. GCH 2017 provides a scientific forum to exchange novel ideas and techniques in research, education and dissemination of Cultural Heritage information, to transfer them into practice, and identify future research and application opportunities. To advance the dialogue between ICT and CH experts, GCH 2017 will be held in close cooperation with the Museumsakademie of the Universalmuseum Joanneum in Graz, providing opportunity for exchange between the domains. We seek original, innovative and previously unpublished contributions in the computer graphics area applied to digital cultural heritage, challenging the state of the art solutions and leveraging new ideas for future developments. Equally, original contributions in the cultural heritage field of relevance to computer graphics are welcome. Specific workshop sessions will be devoted to reports on applications, experiences and projects in this domain. Contributions are solicited (but not limited to) in the following areas: . 2/3/4D data acquisition and processing in Cultural Heritage . Multispectral imaging and data fusion . Digital acquisition, representation and communication of intangible heritage . Material acquisition analysis . Heterogeneous data collection, integration and management . 3D printing of cultural assets . Shape analysis and interpretation . Similarity search of digital artefacts . Visualization and Virtual Museums including storytelling and design of heritage communications . Multi-modal and interactive environments and applications for Cultural Heritage . Spatial and mobile augmentation of physical collections with digital presentations . Semantic-aware representation of digital artefacts (metadata, classification schemes, annotation) . Digital libraries, archiving and long-term preservation of 3D documents . Standards and documentation . Serious games in Cultural Heritage . Organizational aspects of cooperation between ICT and CH experts for project development . Best practices for deployment of novel ICT solution in the CH domain, including budgeting and maintenance . User demand and reception of ICT solutions in CH institutions In cooperation with the Museumsakademie Joanneum, GCH is also planning for a half-day tutorial program, addressing practices and challenges in the important areas of acquisition and presentation of CH content. IMPORTANT DATES 05 May Full Papers Deadline 30 June Notification Full Paper 14 July Short Papers + Posters 15 Aug Notification Short Papers + Posters 03 Sept Camera Ready Deadline 27-29 Sept Event takes place Proceedings All accepted papers will be published by the Eurographics Association and archived in the EG Digital Library. The authors of selected best papers will be invited to submit an extended version to the ACM Journal on Computing and Cultural Heritage (JOCCH, see http://jocch.acm.org/). Organization Event Co-Chairs . Dieter Fellner, TU Darmstadt/Fraunhofer IGD, TU Graz . Bettina Habsburg-Lothringen, Universalmuseum Joanneum, Graz Program Co-Chairs . Tim Weyrich, University College London . Tobias Schreck, Graz University of Technology Tutorial Co-Chairs . Pavlos Mavridis, Graz University of Technology . Bettina Habsburg-Lothringen, Universalmuseum Joanneum, Graz Short Paper Chairs . Robert Sablatnig, TU Wien . Benjamin Stular, Slovenian Academy of Sciences and Arts, Ljubljana Local Chair . Torsten Ullrich, Fraunhofer Austria, Graz Full Paper Program Committee To be announced

8 years, 2 months

Expressive 2017 ? Call for Submissions

by eurographics＠eg.org

Expressive 2017: The Joint Symposium on Computational Aesthetics (CAe), Sketch-Based Interfaces and Modeling (SBIM) and Non-Photorealistic Animation and Rendering (NPAR) A single registration for Expressive 2017 includes all three tracks (CAe, NPAR and SBIM) Dates: July 29--30, 2017 Location: Los Angeles, California (co-located with Siggraph 2017) URL: <https://expressivesymposium.com/> https://expressivesymposium.com Expressive fuses three symposia centered on expressive aspects of computer graphics. Computational Aesthetics (CAe) integrates the bridging aspects of computer science, philosophy, psychology, and the fine, applied & performing arts. CAe investigates both tools to enhance the expressiveness of fine and applied arts, as well as theoretical approaches that further our understanding of aesthetic evaluation, perception and meaning. Non-Photorealistic Animation and Rendering (NPAR) investigates computational techniques for visual communication. Such techniques usually focuses on imagery and motion which is expressive, rather than photorealistic, although they may incorporate realistic elements. Sketch-Based Interfaces and Modeling (SBIM) focuses on the exploration of models, algorithms, and technologies for efficient sketch-based interfaces. It investigates the classification and recognition of hand-drawn shapes, and ways of using these techniques for creating or editing digital models, text, mathematics or 3D shapes. Each paper submission should be designated by the authors as belonging to at least one of the three tracks. Paper submissions are invited across the broad range of areas covered by Expressive. We welcome papers in several categories: ● Research: new algorithms, scientific studies, analysis, or data (i.e., traditional academic papers). These must contain novel results that make a substantive contribution to the field. ● Production: candid discussion of the process of creating a work (e.g., film, image, game) or art tool (e.g., paint or CAD program, software library). We are equally interested in papers on the use of existing techniques combined in novel ways, or applying them in a new or unusual context. ● Meta: statements about research that do not contain new results, e.g.: grand challenges, position papers, evaluation standards, surveys, and primers on art / aesthetics / psychophysics for a computer science audience. We welcome papers that discuss the challenges of bridging computational expression across disciplines. Topics include, but are not limited to: ● Analysis and modeling of creative behavior (AI, A-life) ● Simulation of natural media, traditional styles, and novel artistic styles ● Analysis of image style and saliency (paintings, photographs, others) ● Visualization techniques ● Simplification and abstraction techniques (e.g. sketching, indication) ● Empirically-based metrics of aesthetic attributes ● Applied visual perception ● Interaction techniques (e.g. sketch, gestural, multi-touch, multi-modal) ● Sketch-parsing, classification and recognition ● Novel interfaces for art creation, modeling, control, sketch input, etc. ● Study designs and methodologies for evaluating and validating sketch-based systems, aesthetic metrics, visual communication systems, etc. ● Advanced rendering techniques (e.g. volumetric, GPU, mobile, multi-modal) ● Applications in special domains: Medicine, Geology, Biology, Sociology, etc. ● Sketch-based information retrieval ● Stylistic or aesthetic aspects of character animation and simulated physics ● Accounts of real productions (e.g., animated films, digital art) or applications in software products (e.g., modeling, visualization, presentation software) ● Visual composition ● Design, rendering, and evaluation of layouts for text and presentation graphics ● Style transfer ● Temporal and spatial coherence ● Aesthetic evaluation and stylistic rendering of visual effects such as motion blur, depth of field, and lighting ● Non-traditional camera models Paper Submissions All work must be previously unpublished. Production and Meta papers need not contain original research or results, but must make a substantive contribution to the knowledge in the field. Papers should be 8--10 pages in length (excluding citations). For more submission details, please refer to the <https://expressivesymposium.com/home/submit-your-work/call-for-papers/> complete paper <https://expressivesymposium.com/home/submit-your-work/call-for-papers/> CFP on our webpage. Important Paper Dates Papers submission deadline: April 10, 2017 Papers acceptance notification: May 8, 2017 Papers Camera-ready deadline: June 5, 2017 Paper chairs: Holger Winnemoeller, <mailto:hwinnemo@adobe.com> hwinnemo(a)adobe.com, Adobe Systems, Inc., USA Lyn Bartram, <mailto:lyn@sfu.ca> lyn(a)sfu.ca, Simon Fraser University, Canada General Submission - Posters, Demos & Art Exhibition We seek poster, demo and art exhibition submissions that show work that pertains to all three tracks of Expressive 2017. All submissions should be in the form of a two-page abstract, written in English, and should follow the Siggraph formatting instructions, including a title page with an abstract, keywords, and a bibliography. Submissions should provide a clear description of the work and the process. Posters, demos and artworks will be demonstrated and/or displayed at the conference venue. Authors of accepted works in all areas of submitted work are encouraged to bring a demonstration of their work as well; it is not necessary to create a separate submission for a poster and a demo if they refer to the same project. For additional details, please see the complete <https://expressivesymposium.com/home/call-for-posters-demos-and-artworks/> general submission CFP on our website. Important Dates for Posters, Demos & Art Exhibition 2-Page Extended Abstracts due: May 31, 2017 Acceptance notification: June 15, 2017 2-Page Extended Abstracts camera-ready due: June 30, 2017 General Submission Co-Chairs: Ergun Akleman, <mailto:ergun.akleman@gmail.com> ergun.akleman(a)gmail.com, Texas A&M University, USA Cassidy Curtis, <mailto:cassidy@otherthings.com> cassidy(a)otherthings.com, Google, USA Tracy Hammond, <mailto:hammond@tamu.edu> hammond(a)tamu.edu, Texas A&M University, USA

8 years, 2 months

WSCG 2017 - Call for Papers - Submission EXTENDED to March 20, 2017

by eurographics＠eg.org

WSCG 2017 - Call for Papers - Submission EXTENDED to March 20, 2017 -------- 25. Anniversary Conference WSCG ----------- ------------ Submission EXTENDED to March 20, 2017 -------------- 25. WSCG Int. Conf. on Computer Graphics, Visualization and Computer Vision 2017 May 29 - June 2, 2017 <http://www.wscg.cz> http://www.wscg.cz <http://www.wscg.eu> http://www.wscg.eu in cooperation with EUROGRAPHICS - Venue: Primavera hotel & Congress Center, <http://www.primaverahotel.cz/> http://www.primaverahotel.cz/ Pilsen [Plzen] (City of Beer) close to Prague [Praha], Czech Republic =================================================== Main topics (but not limited to - see WEB for details) --------------------------------------------------------------------- Computer graphics, scientific and medical visualization, computer vision, image processing, pattern recognition, GPU graphics, graphical human computer interfaces, geometric modeling, rendering and animation, virtual reality, haptic systems, medical imaging, graphical interaction, computational photography, data compression for graphics, image based rendering, mathematical methods for graphics and vision, physically based modeling, shape analysis & modeling & retrieval, surface and volume parameterization, parallel graphics, CAD, CAGD and GIS systems, related applications and other related topics. WSCG Conference Co-Chairs ------------------------------ Paul Bourke, University of Western Australia, Perth, Australia Vaclav Skala, c/o University of West Bohemia, Plzen, Czech Republic Important dates (see WEB for details) -------------------------------------------- - Paper submission (EXTENDED): March 20, 2017 - Acceptance notification (approx.): April 20, 2017 - Final version submission (approx.): April 30, 2017 (including REBUTAL) Willing to help us as a reviewer (PhD is required)? Please, send your Last name; First name; @mail address; URL of your research publication page to <mailto:skala@kiv.zcu.cz> skala(a)kiv.zcu.cz - SUBJ: WSCG-Reviewing - your help is highly appreciated PUBLICATIONS ---------------------- All submitted papers will be anonymously reviewed by external reviewers ("extended abstract" type submissions will be desk-top rejected). Title, authors and abstract will be available publicly after acceptance decision and final version of the paper upload. Accepted and presented papers will be published in: - Journal of WSCG (the best selected papers only) ISSN 1213-6972 (print), ISSN 1213-6980 (CD-ROM) - Computer Science Research Notes series (conference proceedings) CSRN 27xx, ISSN 2464-4617 (print), ISSN 2464-4625 (CD-ROM) Journal of WSCG and ALL proceedings published will also be available via WEB with access free => FAST research results dissemination! Recent publications are available at <http://wscg.zcu.cz/DL/wscg_DL.htm> http://wscg.zcu.cz/DL/wscg_DL.htm (OPEN access - available ALL papers since 1992) The Journal of WSCG and CSRN proceedings will be sent for indexing to Scopus, ISI/Thomson Reuters, IEE, Elsevier's Engineering Information (EI) and other reputable indexing services. Associated "sub-events" (part of the WSCG) --------------------------------------- - GraVisMa - Computer Graphics, Computer Vision and Computational Mathematics 2017, <http://www.GraVisMa.eu> http://www.GraVisMa.eu - HCI-Europe - Human Computer Interfaces 2017, <http://www.HCI-Europe.eu> http://www.HCI-Europe.eu Contact ----------- Prof. Vaclav Skala (Conference Organizer & Co-Chair) <mailto:skala@kiv.zcu.cz> skala(a)kiv.zcu.cz mail subject WSCG2017 c/o University of West Bohemia, Faculty of Applied Sciences Dept. of Computer Science and Engineering, Univerzitni 8, CZ 30614, Plzen, Czech Republic, <http://www.VaclavSkala.eu> http://www.VaclavSkala.eu

8 years, 2 months

Extended deadline (Feb 28): Intelligent Cinematography and Film Editing (WICED'2017)

by eurographics＠eg.org

Call for Papers: Eurographics Workshop on Intelligent Cinematography and Film Editing (WICED'2017). <http://wiced.inria.fr/> http://wiced.inria.fr/ NEW EXTENDED DEADLINE: February 28. NEW TRACK for INVITED TALKS: Send one page abstract. The expressive use of virtual cameras, mise-en-scene, lighting and editing (montage) within 3D synthetic environment shows great promise to extend the communicative power of film and video into the artificial environments of interactive games and virtual worlds. At the same time, recent advances in computer vision-based object, actor and action recognition make it possible to envision novel re-cinematography (re-lighting, re-framing) and automatic editing of live-action video. The workshop series is intended to bridge the gap between the two areas and confront research being performed in both domains. One common area of active research is the representation and understanding of the story to be told and its relation to its communicative goals. Another area is the extension of traditional film grammar towards more immersive and interactive experiences, and the emergence of virtual reality and augmented reality movie making. This one-day workshop aims to bring together researchers and industrial experts working in all aspects of digital cinematography and film editing in their respective fields, including 3D graphics, artificial intelligence, computer vision, visualization, interactive narrative, cognitive and perceptual psychology, computational linguistics, computational aesthetics and visual effects. Drawing upon cutting edge research and technologies regarding both the production and comprehension of cinematographic art-work, the workshop seeks to offer a glimpse of the future of cinematography and film editing, as well as a forum for discussion of outstanding research issues. The 6th edition of the workshop will take place at Villa Lumiere, 25 rue du Premier Film, in Lyon, France on April 24, 2017, immediately before Eurographics 2017. The workshop will include a visit of the Lumiere Museum, which honours the contribution to filmmaking by Auguste and Louis Lumière - inventors of the cinématographe and fathers of the cinema. ========== Submission ========== Researchers should submit one of: Regular paper (max 8 pages) reporting new work or new ideas in a relevant research area. Short paper (max 4 pages) describing work in progress or a vision of the near term future of intelligent cinematography. NEW:Invited paper (1 page abstract) reporting relevant work already published in other venues. Submission information will be updated on the workshop site <http://wiced.inria.fr/> http://wiced.inria.fr/ Proceedings of the workshop will be published by EG Publishing in the EG Digital Library. ================= Topics of interest ================= Camera path planning and visibility Interactive and automatic camera control Automatic video editing Movie pre-vizualization Game cinematics, cinematic replays, and machinima Virtual reality and augmented reality movie making Immersive and interactive cinema Natural user interfaces for cinematography and editing Expressive performance of virtual characters Cognitive models of film perception Automatic video analysis of movies Re-cinematography, re-lighting and re-framing Computer-assisted multi-camera production Evaluation methodologies and user experience Analysis of film style =============== Important Dates =============== Paper submission (EXTENDED DEADLINE): February 28, 2017. Notification to authors: March 17, 2017. Camera-ready deadline: March 24, 2017. Workshop held: April 24, 2017. ==================== Organizing committee ==================== The international workshop series is supervised by a steering committee composed of Magy Seif El-Nasr (Northeastern University), R. Michael Young (NC State University), Joseph Magliano (Northern Illinois University), Paolo Burelli (Aalborg University Copenhagen), Arnav Jhala (UC Santa Cruz), and Remi Ronfard (Inria Grenoble). This 6th edition of the workshop is co-organized by William Bares (College of Charleston, South Carolina, USA), Vineet Gandhi (IIIT, Hyderabad), Quentin Galvane (Technicolor R&D, France) and Rémi Ronfard (Inria, France). Program chairs William Bares, College of Charleston, Charleston, SC, USA ( <mailto:bareswh@cofc.edu> bareswh(a)cofc.edu) Rémi Ronfard, INRIA / LJK, France ( <mailto:remi.ronfard@inria.fr> remi.ronfard(a)inria.fr) Program committee (tentative) John Bateman, University of Bremen ( <mailto:bateman@uni-bremen.de> bateman(a)uni-bremen.de) Paolo Burelli, Aalborg University Copenhagen, Denmark (pabu(a)itu.dk) Peter Carr, Disney Research, Pittsburgh ( <mailto:peter.carr@disneyresearch.com> peter.carr(a)disneyresearch.com) Brad Cassell, NC State University, USA ( <mailto:bacassel@ncsu.edu> bacassel(a)ncsu.edu) Yun-Gyung Cheong, ITU Copenhagen, Denmark (ygcheong@gmail.com,aimecca@gmail.com) Marc Christie, U. Rennes and INRIA, France ( <mailto:marc.christie@irisa.fr> marc.christie(a)irisa.fr) Michael Gleicher, University of Wisconsin, Madison, USA ( <mailto:gleicher@cs.wisc.edu> gleicher(a)cs.wisc.edu) Arnav Jhala, North Carolina State University, USA ( <mailto:ahjhala@ncsu.edu> ahjhala(a)ncsu.edu) Tsai-yen Li (National Cheng Chi University) ( <mailto:li@nccu.edu.tw> li(a)nccu.edu.tw) Henry Lowood, Stanford University, USA ( <mailto:lowood@stanford.edu> lowood(a)stanford.edu) Joseph Magliano, Northern Illinois University, USA ( <mailto:jmagliano@niu.edu> jmagliano(a)niu.edu) Roberto Ranon, University of Udine, Italy ( <mailto:roberto.ranon@uniud.it> roberto.ranon(a)uniud.it) Magy Seif El-Nasr, Northeastern University ( <mailto:magy@northeastern.edu> magy(a)northeastern.edu) I-Cheng Yeh (Yuan Ze University) ( <mailto:ichenyeh@saturn.yzu.edu.tw> ichenyeh(a)saturn.yzu.edu.tw) Michael Young, University of Utah, USA ( <mailto:young@cs.utah.edu> young(a)cs.utah.edu)

8 years, 2 months

Call for Papers: GraDiFab2017 - Eurographics Workshop on Graphics for Digital Fabrication in the Arts and Culture

by eurographics＠eg.org

Call for Papers GraDiFab2017 - Eurographics Workshop on Graphics for Digital Fabrication in the Arts and Culture 5th-6th July, 2017 at University College London, UK. Co-located with the Eurographics Symposium on Geometry Processing Workshop URL: www.gradifab.org Abstract deadline: May 12th, 2017 Submissions deadline: May 19th, 2017 ***Aims and scope*** Digital fabrication technologies comprise of a combination of programmable tools, processes, materials and equipment. They allow the creation of physical objects of complexities not achievable by traditional manufacturing processes. Artists and other professionals in the Arts and Culture sector are experimenting with innovative technical solutions which can support their creative processes. The research of the computer graphics community has the potential to impact on these communities by offering skills, techniques, tools and infrastructure. In its second edition, the workshop aims to bring together communities working on aspects related to computer graphics and digital fabrication for Arts and Culture. The intended audience involves practitioners and experts from a wide range of areas such as computer graphics, additive manufacturing, computer aided design, materials, human computer interaction as well as end users. Topics include are (but are not limited to) the following: - Artistic processes and cultural applications of digital fabrication - 3D printing and fabrication algorithms and applications - Digital fabrication for museums and art galleries - 3D acquisition algorithms and applications - Complex art shapes processes, algorithms, examples - Reproduction of complex materials - Fabrication at different scales from nano to large scales - Fabrication of flexible materials - Digital fabrication using innovative materials and technologies - User applications in arts and culture ***Submission contributions*** We invite submissions of different types: - Research papers: reporting relevant research. Page limit is 10. - Project reports: discussing current projects or experiences from practitioners in the area of arts and culture. Reports should address creative processes and requirements for new technologies. Page limit is 4. - Posters: reporting related initiatives where digital fabrication is being (or is intended to be) used and where the author will benefit with interaction with the wider community. Two-page abstract for review. Paper and reports submission via: https://srmv2.eg.org/COMFy/Conference/GraDiFab_2017/ Poster submission via email to: chairs-gradifab2017(a)eg.org ***Presentation & publication*** Submission will be reviewed by the Programme Chairs and the International Programme Committee. Successful submissions will be presented at the workshop. Accepted posters will be exhibited during the workshop as an A1 poster. All accepted research contributions will be published by the European Association of Computer Graphics (Eurographics). They will also be made available in the Eurographics Digital Library Archive. ***Important dates*** - Abstract deadline for papers and reports: May 12th, 2017 - Submission deadline for contributions: May 19th, 2017 - Poster submission: June 1st, 2017 - Notification of acceptance: June 9th, 2017 - Camera-ready deadline: June 16th, 2017 - Workshop: July 5th-6th, 2017 ***Program Chairs*** Ergun Akleman (Texas A&M University) Konrad Polthier (Freie Universitaet Berlin) ***Organizers*** Asla Medeiros e Sá (Getulio Vargas Foundation) Karina Rodriguez Echavarria (University of Brighton) Nico Pietroni (ISTI-CNR) ------

8 years, 2 months

**Spring Conference on Computer Graphics 2017- Deadline Extended to March 1**

by eurographics＠eg.org

Spring Conference on Computer Graphics is the oldest annual meeting of computer graphics researchers in Central Europe with 33 years of tradition. It is a highly successful venue for sharing ideas and research results among computer graphics researchers and practitioners from Europe and around the world. The philosophy of SCCG is to put together top experts with young researchers and to support a good communication channel for East-West exchange of prospective ideas. We invite the authors to submit their original scientific papers to the conference. The conference topics include: rendering, modeling, animation, image processing, vision, visualization, interaction, digital fabrication, and virtual reality. All submission will be made through the new PCS conference management system (new.precisionconference.com). After the first review round the international program committee will nominate the papers adhering to high quality standards for a publication in a special issue of Elseviers Computers and Graphics journal. The second review cycle for these papers will be handled through the Elsevier editorial system. The remaining accepted papers will be published in the conference proceedings that will be part of the ACM Digital Library. We also welcome posters covering your recent research work, late-breaking technical results, and work in progress. The posters will be part of posters proceedings. **Keynote speakers** Niloy Mitra (University College London) Kwan-Liu Ma (University of California at Davis) Daniel Sykora (Czech Technical University in Prague) **Important dates for papers** Paper submission: **March 1, 2017(extended deadline)** First decision: April 5, 2017 Revised version due: April 19, 2017 Final decision: April 26, 2017 Camera ready: May 3, 2017 **Important dates for posters** Poster submission: April 12, 2017 Notification of acceptance: April 19, 2017 **Conference Info** Date: May 15-17, 2017 Conference chair: Pavel Zemcik Program chairs: Jiri Bittner, Ivan Viola Poster chair: Vítezslav Beran Organization Co-chairs: Vítezslav Beran, Andrej Ferko Elsevier C&G: Joaquim Jorge Location: hotel Galant, Mikulov, Czech Republic (about 100 km from Vienna airport) Web site: <http://www.sccg.sk> http://www.sccg.sk **Organizers** Faculty of Information Technology, Brno University of Technology, Brno, Czech Republic The Faculty of Mathematics, Physics and Informatics, Comenius University, Bratislava, Slovakia The Slovak Society for Computer Science In cooperation with ACM SIGGRAPH and EUROGRAPHICS.

8 years, 2 months

New PhD Student Position in Machine Learning for Fluid Simulation

by eurographics＠eg.org

New PhD Student Position in Machine Learning for Fluid Simulation Within the scope of the Doctoral Programme ("Doktoratskolleg") Computational Interdisciplinary Modelling (DK-CIM) of the University of Innsbruck, the Interactive Graphics and Simulation Group and the Unit of Environmental Engineering invite applications for the position of a PhD student, focusing on the acceleration of solvers for Navier-Stokes equations via machine learning techniques. We are seeking a motivated and talented PhD student with interest and skill in physically-based simulation, fluid simulation, data-driven approaches, and/or machine learning techniques. The main focus will be on the development of data-driven machine learning methods for accelerating computations in physically-based simulations. The main application domain will be the simulation of fluids in environmental engineering scenarios such as flows in hydraulic networks and structures as well as surface flows. Of special interest will be (particle based) semi-Lagrangian solutions, fluid-solid boundaries, mesh adaptivity, as well as learning correction methods. A further target will be the tracking and characterizing of the simulation error, also via machine learning. The work will be jointly supervised by Prof. Wolfgang Rauch, head of the Unit of Environmental Engineering and Prof. Matthias Harders, head of the Interactive Graphics and Simulation Group. Candidates should have earned a Master or Diploma degree in either Computer Science, Environmental Engineering, Physics, Applied Mathematics or other related fields. Good knowledge in physically-based simulation is expected. In addition, some experience with machine learning methods is of advantage. Further, knowledge of domain-specific applied fluid simulation is also a plus. Experience and knowledge in C/C++ programming is expected, as well as a good level in English, both written and spoken. The position is open immediately until filled. It is offered on the level of a nonpermanent university research student for three years at a 75% rate (i.e. 30 hours per week). Successful candidates will become employees of the University of Innsbruck with full social security coverage under Austrian national law. The gross salary for the position will be about 2.048,30 EUR/month (14x). PhD level studies will be carried out according to DK-CIM regulations. Note that a final doctoral degree would be possible either in Computer Science or in Engineering. The Doctoral Programme is committed to increasing the percentage of female employees in science and therefore explicitly invites women to apply. Candidates should send electronically in PDF format an application with complete CV, grades and transcripts, relevant certificates, and URLs to relevant prior publications via email to the Research Area Scientific Computing (scientificcomputing(a)uibk.ac.at). https://www.uibk.ac.at/dk-cim/students-neu/students-info.html.en For further questions, please get in touch with: Prof. Dr. Matthias Harders Interactive Graphics and Simulation Group Department of Computer Science University of Innsbruck Austria matthias.harders(a)uibk.ac.at http://igs.uibk.ac.at/

8 years, 2 months

EuroVA 2017 Call for Papers - ADAPTED DEADLINES

by eurographics＠eg.org

Dear all, Please note, we changed our submission deadlines to be consistent with the co-located EuroVIS 2017 venues. The new deadlines will be: Submission deadline: 27 February, 2017 Notification of acceptance: 27 March, 2017 Camera-ready deadline: 24 April, 2017 EuroVA workshop: 12-13 June, 2017 Please find the adapted Call for Papers below: ---------- EuroVA 2017 is the eighth international EuroVis workshop on Visual Analytics. It will take place June 12-13, 2017 in Barcelona, Spain. Visual Analytics is a problem-solving and sense-making technology that integrates analytical computations, visual representations, and interaction. It includes the analysis of complex (massive, dynamic, ambiguous, conflicting, .) data and information for gaining understanding, building knowledge, and inferring insight. Visual Analytics aims at a synergistic collaboration of humans and computers mediated through interactive visual interfaces. As such, Visual Analytics is an interdisciplinary field of research, including aspects of visualization, human-computer interaction, statistics and mathematics, data management and knowledge representation, data analysis and machine learning, cognitive and perceptual sciences, and more. EuroVA is an established workshop to present and discuss new ideas, methods and theories, interesting applications and designs, and studies of the use of Visual Analytics in practice. The workshop will accept three paper types: . Research papers present new unpublished concepts, methods, or techniques . Special session papers focus on a topic of particular topic of interest . Position papers express relevant and potentially controversial standpoints The workshop seeks to attract innovative, fresh and creative ideas with a high potential of becoming significant contributions to the Visual Analytics community. Special Session on Interaction Visual Analytics integrates the human in the loop. Interaction between the human and Visual Analytics methods and tools is essential for effective data exploration and analysis. EuroVA 2017 especially invites papers that focus on interaction in Visual Analytics. Topics of interest for the special session on interaction include but are not limited to: . Interaction techniques for Visual Analytics . Interface design for exploration and analysis . New display environments and interaction modalities . Guidance for Visual Analytics . Syntax and semantics of interactions for data analysis activities . Models of human-in-the-loop data analysis . Collaborative Visual Analytics Regular Topics Regular topics of interest include but are not limited to: . Visual representations of complex data . Computational methods to support analysis tasks . Data management, data provenance, and data uncertainty . Theoretical foundations of Visual Analytics . Cognitive and perceptual aspects . Infrastructures and architectures for Visual Analytics systems and services . Visual Analytics applications . Evaluation of Visual Analytics techniques and procedures Position Papers Position papers are problem discussions or statements describing the author's relevant experience and ideas regarding Visual Analytics. Position papers will be selected according to their importance and relevance for the workshop topics and the planned discussions. Important dates Submission deadline: 27 February, 2017 Notification of acceptance: 27 March, 2017 Camera-ready deadline: 24 April, 2017 EuroVA workshop: 12-13 June, 2017 Submission guidelines Papers, 4 pages in length + 1 extra page for references (maximum) must be prepared using the EuroVA LaTeX template, which can be downloaded here: <http://www.eurova.org/wp-content/uploads/egPublStyle-EuroVA2017.zip> egPublStyle-EuroVA2017.zip Papers are to be submitted via PCS at: <https://precisionconference.com/%7Eeurova17> https://precisionconference.com/~eurova17 At least one author of an accepted paper must register and participate in the workshop to present the accepted work. The EuroVA 2017 Workshop Proceedings will be published by the Eurographics Association, and be stored on the Eurographics Digital Library. Workshop Chairs Michael Sedlmair, University of Vienna, Austria Christian Tominski, University of Rostock, Germany Publicity chair: Michael Behrisch, University of Konstanz, Germany

8 years, 2 months

Extended deadline: 5th EuroVis Workshop on Reproducibility, Verification, and Validation - Perception in Visualization

by eurographics＠eg.org

Due to popular demand, the submission deadline for the EuroVis Workshop on Reproducibility, Verification, and Validation ( <http://www.eurorvvv.org/> EuroRVVV) has now been extended until February the 27th. You are kindly invited to contribute to this workshop, which will be held in conjunction with the <http://eurovis2017.virvig.es/> EuroVis 2017 in Barcelona, Spain on June 12-13, 2017. Further details, including the call for paper below, can be found at <http://www.eurorvvv.org/> http://www.eurorvvv.org/. /// 5th EuroVis Workshop on Reproducibility, Verification, and Validation /// * * * Perception in Visualization * * * /// * * * Extended Deadline ** Feb 27th 2017 * * * /// http://www. <http://www.eurovis.org/> eurorvvv.org/ For the fifth time, EuroRVVV will be held in conjunction with EuroVis. The purpose of this workshop is to develop a common sense of good reproducibility in our community. Workshop papers will be peer-reviewed in a one-stage process by an international program committee. They will be electronically archived in the Eurographics Digital Library and are fully citable publications. Submissions for the EuroRVVV track should be 4 pages (at most), excluding references, and 5 pages (at most), in total. They will be orally presented at the workshop.EuroRVVV 2017 will be held in Barcelona, Spain, June 12th and 13th, 2017 as part of EuroVis 2017. Important Dates: *Papers Submission Deadline*: February 27th, 2017 Acceptance Notification: March 27th, 2017 Camera-ready Deadline: April 24th, 2017 Workshop Dates: June 12th and 13th, 2017 This year, the workshop is subtitled "Perception in Visualization" and we encourage authors to share both positive and negative experience that could be beneficial to the visualization community regarding - but not limited - to the following topics: * Verification or validation of visualization algorithms to ensure reproducibility * Experiences with the evaluation verification of scientific visualization, information visualization, and visual analytics, based on perceptual tasks * Evaluation methods for visualization techniques or applications to verify perceptual hypotheses * A new methodology for designing or studying perceptual tasks in visualization systems that has demonstrable benefits for the EuroVis community * Statistical analysis methods to interpret evaluation results * Outcomes of perceptual studies and their relevance for the visualization community Further details and <http://www.eurorvvv.org/submission/> submission instructions can be found at: <http://eurorvvv.org/> http://eurorvvv.org The final versions of the papers must follow the official EuroVis Short Paper style guides, which can be found here: <http://eurovis2017.virvig.es/images/site/EuroVis2017FullPapers_latex2e.zip> http://eurovis2017.virvig.es/images/site/EuroVis2017FullPapers_latex2e.zip The EuroRVVV 2017 Organizers Kai Lawonn, University of Koblenz-Landau, Germany Noeska Smit, University of Bergen, Norway Douglas Cunningham, BTU Cottbus-Senftenberg, Germany If you have any questions, please don't hesitate to contact us via <mailto:chairs@eurorvvv.org> chairs(a)eurorvvv.org Further information: <http://www.eurovis.org/> http://www.eurorvvv.org

8 years, 2 months

Eurographics 2017 Symposium on Parallel Graphics and Visualization (EGPGV 2017) Call for Papers

by eurographics＠eg.org

[We apologize if you receive multiple copies of this message.] Eurographics 2017 Symposium on Parallel Graphics and Visualization (EGPGV 2017) Call for Papers ========================================================================= June 12-13, 2017, Barcelona, Spain Co-located with EuroVis 2017 <http://www.vis.uni-stuttgart.de/egpgv/egpgv2017/> http://www.vis.uni-stuttgart.de/egpgv/egpgv2017/ Dear colleagues, The importance of parallel computing is increasing rapidly with the ubiquitous availability of multi-core CPUs, GPUs, and cluster systems. Computationally demanding and data-intensive applications in graphics and visualization are strongly affected by this trend and require novel efficient parallel solutions. The aim of this symposium is to foster the exchange of experiences and knowledge exploiting and defining new trends in parallel graphics and visualization. The proceedings of the EGPGV Symposium will be published in the Eurographics Proceedings Series and in the Eurographics Digital Library. Best papers from the EGPGV symposium will be invited to submit an extended journal version to IEEE Transactions on Visualization and Computer Graphics. Focusing on parallel computing, the symposium seeks papers on graphics and visualization techniques, data structures, algorithms, and systems for: - large-data - HPC and cloud environments - (multi-)GPU computing, and heterogeneous, hybrid architectures - shared and/or distributed memory architectures - out-of-core The symposium topics include: - computationally and data intensive rendering - scientific visualization (volume rendering, flow, and tensor visualization) - information visualization and visual analytics - in-situ analytics and in-situ visualization - simulations for virtual environments (physics-based animation, collision detection, acoustics) - mesh processing, level-of-detail, and geometric methods - visual computing (image- and video-based rendering, image processing and exploitation, segmentation) - scheduling, memory management, and data coherence - distributed, parallel, or multi-threaded approaches - mapReduce-based and database-related methods, algorithms or approaches, query based visualization - advanced hardware for data handling or visualization - large and high resolution displays, virtual environments - scientific, engineering, and industrial applications Submission types ======================== You are invited to submit original and unpublished research works. Two types of submissions are accepted, as follows. Full papers ======================== Full papers are expected to be eight to ten (8-10) pages in length, with the final length appropriate to the contribution of the paper. Submissions are to be formatted along the Eurographics paper publication guidelines. We expect that full paper submissions will clearly discuss the novel and significant contributions as well as related work in the field. Authors must highlight how their contributions differ and advance the state of the art in parallel graphics and visualization. The full paper and all supplementary material, if any, must be submitted via the PCS online system. Short papers ============================ This year we introduce a new type of submission: short papers. Short papers target the same interest topics as full papers, but are maximally 4 pages in length. As such, they typically address novel ideas or work in progress which has not been sufficiently solidly validated as for full papers. Short papers can also target use-cases and applications of parallel graphics and visualization, presentation of parallel graphics and visualization tools and systems, industry success stories, and showcases of applications making use of parallel graphics and visualization. The short paper track thus broadens the visualization showcase track that was present in earlier editions of EGPGV. Short papers and their supplementary material, if any, must be submitted via the PCS online system. Accepted papers (both full and short) will appear in the symposium proceedings and be published via the Eurographics Digital Library. Submission process ================= Papers are accepted when submitted via the PCS system (precisionconference.com). Additional details with respect to the submission process will be announced shortly on egpgv.org/egpgv2017 Reviewing process ================= Both paper types (full and short) will be reviewed by at least three members of the International Program Committee (IPC), in a single review pass. Full papers deemed insufficient in terms of the contribution level expected for a full paper, but presenting otherwise interesting, novel, and valuable results, can be selected by the IPC to be accepted as short papers. The review process is not double blind; we leave it to the latitude of the authors whether they want to disclose their identity in their submissions. Important Dates ================= Papers Submission: March 6, 2017 Author Notification: April 20, 2017 Camera-Ready Submission: April 27, 2017 Symposium: June 12-13, 2017 Symposium Chair ================= Fernando Cucchietti, Barcelona Supercomputing Center, Spain Program Chairs =============== Alexandru Telea, University of Groningen, the Netherlands Janine Bennett, Sandia National Laboratories, USA

8 years, 2 months

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