Bookshop Clearance
Eurographics is having a clearance sale of printed proceedings, that are
held in stock in Germany. Items will be supplied subject to availability!
Those books will be offered free of charge to people who are willing to pay
the delivery costs in advance.
Don't miss this occasion to complete your own library - so please have a
look at the list of books available.
https://diglib.eg.org/bitstream/handle/10.2312/15058/books_available.pdf
How do you place an order?
Please contact: publishing-support(a)eg.org <mailto:publishing-support@eg.org>
ACM/EG Expressive 2019 Call for Submissions
<http://expressive.graphics/2019/submissions/>
http://expressive.graphics/2019/submissions/
Paper deadline: February 21, 2019 March 3, 2019
Acceptance by: March 21, 2019
Camera-ready: April 5, 2019
Symposium: May 5-6, 2019
Artworks/posters/demos by: Rolling notification, closes March 15, 2019
The Expressive symposium explores the capacity of computer graphics,
animation, and computational media to be used in artistic, aesthetic, and
creative ways. The field can be seen as encompassing problems in expressive
understanding, expressive communication, and expressive interaction:
* Expressive understanding integrates aspects of computer science,
philosophy, psychology, and the fine, applied, and performing arts,
investigating theoretical approaches that further our understanding of
aesthetic evaluation, perception and meaning.
* Expressive communication focuses on imagery and motion which is
expressive rather than photorealistic, although it may incorporate realistic
elements.
* Expressive interaction explores models, algorithms, and technologies
for sketch-based interfaces, particularly classifying and recognizing
hand-drawn shapes as a way to create or edit digital models, text,
mathematics, or 3D shapes.
<http://expressive.graphics/2019> Expressive 2019 will take place in
Genova, Italy, May 5-6, 2019 co-located with
<https://www.eurographics2019.it/> Eurographics 2019 in Genova.
Expressive technical papers will be submitted, evaluated, and presented in a
single, unified track. This unification reflects the ongoing evolution of
the symposium, which originated as the union of three separate events:
Computational Aesthetics (CAe), Non-Photorealistic Animation and Rendering
(NPAR), and Sketch-Based Interfaces and Modelling (SBIM). The symposium will
also include an arts program, posters and demos, and presentations of
published journal articles.
<http://expressive.graphics/2019/submissions/#call-for-papers> > Call for
Papers
<http://expressive.graphics/2019/submissions/#call-for-posters-and-demos> >
Call for Posters and Demos
<http://expressive.graphics/2019/submissions/#call-for-artworks--generative-
chronicles> > Call for Artworks
<http://expressive.graphics/2019/submissions/#call-for-journal-presentations
> > Call for Journal Presentation
_____
General Co-Chairs:
Joaquim Jorge, Instituto Superior Técnico, Portugal
Lyn Bartram, Simon Fraser University, Canada
Chiara Eva Catalano, Institute for Applied Mathematics and Information
Technologies, Italy
Program Co-Chairs:
Craig Kaplan, University of Waterloo, Canada
Angus Forbes, University of California, Santa Cruz, USA
Stephen DiVerdi, Adobe Research, USA
Arts Program Co-Chairs:
Daniel Berio, Goldsmiths, University of London, UK
Pedro Cruz, Northeastern University, USA
Posters and Demo Chair:
Jose Echevarria, Adobe Research, USA
Publicity Chair:
Amir Semmo, Hasso Plattner Institute, University of Potsdam,Germany
/We apologize for multiple messages/
This is to invite you to participate in the following tracks of SHREC'19:
SHREC'19 track Matching Humans with Different Connectivity
SHREC'19 track: why connectivity?
Although recent publications in the field of shape analysis achieve
high-quality results in point-to-point matching, their quantitative
evaluations have been performed only on meshes that share the connectivity.
The aim of this track is to evaluate the performance of the automatic
algorithms or signatures for point-to-point matching when the shapes to be
matched have different connectivity. We consider the concurrent presence of
1) different meshing, 2) rigid transformation in 3D space, 3) non-rigid
deformations, 4) different vertex density, ranging from 5K to more than 50K,
and 5) topological changes induced by mesh glueing in areas of contact. The
correspondence between these shapes is obtained through the recently
proposed registration pipeline FARM (FARM: Functional automatic registration
method for 3D human bodies, Marin et al, arxiv 2018).
For further information see:
<http://profs.scienze.univr.it/~marin/shrec19>
http://profs.scienze.univr.it/~marin/shrec19
Best regards,
Simone Melzi, Riccardo Marin, Emanuele Rodolà and Umberto Castellani.
Dear All,
We are running a SHREC contest (results will be presented at the Workshop on
3D Object Retrieval, which is collocated with Eurographics in Genova, 5-6
May 2019) on Shape Correspondence with Isometric and Non-Isometric
Deformations.
If you are interested in participating see https://shrec19.cs.cf.ac.uk/ for
the data and details of the task. The submission deadline is March 01, 2019.
Best regards,
Yukun
--
Dr. Yu-Kun Lai
School of Computer Science & Informatics
Cardiff University, UK
http://users.cs.cf.ac.uk/Yukun.Lai
-
Dr. Yu-Kun Lai
Ysgol Cyfrifiadureg a Gwybodeg
Prifysgol Caerdydd
ACM/EG Expressive 2019 — Call for Submissions
http://expressive.graphics/2019/submissions/
Paper deadline: February 21, 2019
Acceptance by: March 21, 2019
Camera-ready: April 5, 2019
Symposium: May 5-6, 2019
Artworks/posters/demos by: Rolling notification, closes March 15, 2019
The Expressive symposium explores the capacity of computer graphics, animation, and computational media to be used in artistic, aesthetic, and creative ways. The field can be seen as encompassing problems in expressive understanding, expressive communication, and expressive interaction:
* Expressive understanding integrates aspects of computer science, philosophy, psychology, and the fine, applied, and performing arts, investigating theoretical approaches that further our understanding of aesthetic evaluation, perception and meaning.
* Expressive communication focuses on imagery and motion which is expressive rather than photorealistic, although it may incorporate realistic elements.
* Expressive interaction explores models, algorithms, and technologies for sketch-based interfaces, particularly classifying and recognizing hand-drawn shapes as a way to create or edit digital models, text, mathematics, or 3D shapes.
<http://expressive.graphics/2019> Expressive 2019 will take place in Genova, Italy, May 5-6, 2019 — co-located with <https://www.eurographics2019.it/> Eurographics 2019 in Genova.
Expressive technical papers will be submitted, evaluated, and presented in a single, unified track. This unification reflects the ongoing evolution of the symposium, which originated as the union of three separate events: Computational Aesthetics (CAe), Non-Photorealistic Animation and Rendering (NPAR), and Sketch-Based Interfaces and Modelling (SBIM). The symposium will also include an arts program, posters and demos, and presentations of published journal articles.
<http://expressive.graphics/2019/submissions/#call-for-papers> > Call for Papers
<http://expressive.graphics/2019/submissions/#call-for-posters-and-demos> > Call for Posters and Demos
<http://expressive.graphics/2019/submissions/#call-for-artworks--generative-…> > Call for Artworks
<http://expressive.graphics/2019/submissions/#call-for-journal-presentations> > Call for Journal Presentation
_____
General Co-Chairs:
Joaquim Jorge, Instituto Superior Técnico, Portugal
Lyn Bartram, Simon Fraser University, Canada
Chiara Eva Catalano, Institute for Applied Mathematics and Information Technologies, Italy
Program Co-Chairs:
Craig Kaplan, University of Waterloo, Canada
Angus Forbes, University of California, Santa Cruz, USA
Stephen DiVerdi, Adobe Research, USA
Arts Program Co-Chairs:
Daniel Berio, Goldsmiths, University of London, UK
Pedro Cruz, Northeastern University, USA
Posters and Demo Chair:
Jose Echevarria, Adobe Research, USA
Publicity Chair:
Amir Semmo, Hasso Plattner Institute, University of Potsdam,Germany
Ph.D. and Postdoc positions within ERC project at the
University of Lugano (Switzerland)
Dear colleagues,
We have open Ph.D. and Postdoc positions within a new ERC Starting
Grant project titled "Perceptually-Driven optimizations of Graphics
Content for Novel Displays". The main subject of the research is
algorithms for generating and optimizing content for new display
devices such as VR and AR headsets. The positions are fully-funded
with a competitive salary in line with Swiss universities.
Official flyer: https://www.pdf.inf.usi.ch/jobs.pdf
More information about the group: https://www.pdf.inf.usi.ch/
Contact: piotr.didyk(a)usi.ch <mailto:piotr.didyk@usi.ch>
Please forward this call to interested Master or Ph.D. students.
Thank you very much,
--
Piotr Didyk
Assistant Professor
University of Lugano, Switzerland
WEB3D 2019
Los Angeles July 26 - July 28 Co-Located with SIGGRAPH2019
The 24th International ACM Conference on 3D Web Technology
In Cooperation with Eurographics and the Web3D Consortium
<https://web3d2019.org/> https://web3d2019.org/
Paper submission: March 18, 2019
Tutorial & Workshop submission: April 1, 2019 (First Monday of April)
Demonstration submission: May 6, 2019 (First Monday of May)
Posters submission: May 6, 2019 (First Monday of May)
Industrial use cases submission: June 3, 2019 (First Monday of June)
H-Anim competition: June 3, 2019 (Winners announced at the Conference)
Tutorial/workshop acceptance: May 6, 2019
Paper/poster/demo acceptance: May 13, 2019
Camera-ready paper/poster/demo: May 27, 2019
Looking forward to seeing you there!
Please feel free to forward this announcement !
CALL FOR PAPERS
COMPUTER GRAPHICS INTERNATIONAL CGI 2019 University of Calgary, Alberta,
Canada, 17-20 June, 2019
CGI 2019 website: BLOCKEDcgs-network[.]org/cgi19BLOCKED
Organized by the Computer Graphics Society (CGS) In cooperation with ACM
SIGGRAPH and EUROGRAPHICS
Computer Graphics International is one of the oldest international annual
conferences in Computer Graphics and one of the most important ones
worldwide, founded by the Computer Graphics Society (CGS). It is a yearly
meeting where academics present their latest algorithms, and explore new
ideas on various computer graphics topics. Since 1983, it was held in
different continents as in Europe, Asia, Australia and North & South
America. CGI 2019, the 36th annual conference will take place on June 17th -
June 20th in Calgary, Alberta, Canada at the foothills of majestic Canadian
Rockies. CGI 2019 is organized in cooperation with ACM SIGGRAPH and
EUROGRAPHICS.
IMPORTANT DATES
Conference, Tutorials and Workshops June 17 - 20, 2019
Visual Computer papers submission
Submission deadline: February 12, 2019
Paper notification: March 24, 2019
Camera-ready April 7, 2019
CGI proceedings submission
Submission deadline: March 25, 2019
Paper notification April 21, 2019
Camera-ready May 03, 2019
The scientific program of the conference will include full papers and short
papers. 35 accepted full papers will be included in the Visual Computer
journal published by Springer. Other accepted papers (short and full papers)
will be included in the conference proceedings published by LNCS, Springer.
KEYWORDS
We invite original contributions that advance the state-of-the-art in topics
related to:
Rendering Techniques, Volume Rendering
Geometric Computing
Virtual and Augmented Reality
Shape and Surface Modelling
Physically Based Modelling
Computer Vision for Computer Graphics
Scientific Visualization
Data Compression for Graphics
Biometric Image and Signal Processing
Medical Imaging
Computation Geometry
Image Based Rendering
Computational Photography
Computer Animation
Visual Analytics
Shape Analysis and Image Retrieval
Geometric Modelling
Computational Fabrication
Image Processing
3D Reconstruction & 3D Printing
Solid Modelling
Global Illumination
Graphical Human-Computer Interaction
Human Modelling
Image Analysis
Saliency Methods
Shape Matching
Sketch-based Modelling
Robotics and Vision
Stylized Rendering
Textures Pattern Recognition
Machine Learning for Graphics
Conference Co-Chairs
Marina L. Gavrilova,
University of Calgary, Canada
Hiroshi Ishikawa,
Waseda University, Japan
Program Co-Chairs
Nadia Magnenat Thalmann,
University of Geneva, Switzerland, and NTU, Singapore
Jian Chang,
Bournemouth University, UK
Local Organizing Chair
Marina L. Gavrilova
University of Calgary, Canada
Local Organizing Committee
Usman Alim, University of Calgary
Ehud Sharlin, University of Calgary
Tony Tang, University of Calgary
The Department of Computer Science of the Dortmund University of Technology,
Germany, is seeking for a Full Professor (W3) in Computer Graphics. Details
are available in the attachment.