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CFP: SHREC2019 - 3D Shape Retrieval Challenge

by eurographics＠eg.org

CALL FOR PARTICIPATION SHREC2019 - 3D Shape Retrieval Challenge 2019 At Eurographics 2019 Workshop on 3D Object Retrieval <http://3dor2019.ge.imati.cnr.it/> Contact: shrec(a)cs.uu.nl <mailto:shrec@cs.uu.nl> Introduction --------------- The general objective of the 3D Shape Retrieval Challenge is to evaluate the effectiveness of 3D-shape retrieval algorithms. SHREC'19 is the fourteenth edition of the challenge. Like previous years, it is organized in conjunction with the Eurographics 2018 Workshop on 3D Object Retrieval, where the results will be reviewed by the chairs of the workshop and included in the workshop proceedings. Thanks to the efforts of previous track organizers, SHREC already provides many resources to compare and evaluate 3D retrieval methods. For this year's challenge, we aim to explore new and updated tracks. Therefore, the participants are invited to have an active role in the organization of the event. This includes proposing track themes, building or acquiring a test collection, and deciding upon the queries, relevance assessment, and performance measures. The participants of each track will collectively write a paper, which will be published in the proceedings of the Eurographics Workshop 3D Object Retrieval. At least one author per track must register for the workshop, and present the results. We also cordially invite all participants of a track to register and attend the workshop. Tracks -------- The following tracks are organized. For description of tasks, the collections, queries, the evaluation procedure, and time schedule, follow the links or contact the track organizer. 1. Extended 2D Scene Sketch-Based 3D Scene Retrieval Organizers: Juefei Yuan, Hameed Abdul-Rashid, Bo Li (University of Southern Mississippi), Yijuan Lu (Texas State University), Tobias Schreck (Graz University of Technology) Contact: <mailto:juefei.yuan@usm.edu> Juefei Yuan <http://orca.st.usm.edu/~bli/SceneSBR2019/index.html> Web page 2. Extended Image-Based 3D Scene Retrieval Organizers: Hameed Abdul-Rashid, Juefei Yuan, Bo Li (University of Southern Mississippi), Yijuan Lu (Texas State University), Tobias Schreck (Graz University of Technology) Contact: <mailto:hameed.abdulrashid@usm.edu> Hameed Abdul-Rashid <http://orca.st.usm.edu/~bli/SceneIBR2019/> Web page 3. Feature Curve Extraction on Triangle Meshes Organizers:Elia Moscoso Thompson, CNR-IMATI, Genova Contact: <mailto:elia.moscoso@ge.imati.cnr.it> Elia Moscoso Thompson <http://shrec.ge.imati.cnr.it/shrec19_featcurv/> Web page 4. Protein Shape Retrieval Organizers: Matthieu Montes, Florent Langenfeld (Conservatoire National des Arts-et-Métiers, Paris) Contact: <mailto:florent.langenfeld@cnam.fr> Florent Langenfeld <http://shrec2019.drugdesign.fr/> Web page 5. Classification in Cryo-Electron Tomograms Organizers: Ilja Gubins, Gijs van der Schot, Remco C. Veltkamp, Friedrich G. Forster Contact: <mailto:i.gubins@uu.nl> Ilja Gubins <http://www2.projects.science.uu.nl/shrec/cryo-et/> Web page 6. Online detection of simple gestures from hand trajectories Organizers: Fabio Marco Caputo, Andrea Giachetti (University of Verona) Contact: <mailto:fabiomarco.caputo@univr.it> Fabio Marco Caputo <http://www.andreagiachetti.it/shrec19/> Web page 7. Monocular Image-based 3D Model Retrieval Organizers: An-An Liu, Wei-Zhi Nie, Wen-Hui Li, Dan Song, Yu-Qian Li, He-Yu Zhou, Shu Xiang, Wei-Jie Wang (Tianjin University) Contact: <mailto:liwenhui@tju.edu.cn> Wen-Hui Li <http://media.m2i.ac.cn/MI3DOR/> Web page 8. Shape Correspondence with Isometric and Non-Isometric Deformations Organizers: Roberto Dyke, Caleb Stride, Yu-Kun Lai, and Paul L. Rosin (Cardiff University) Contact: <mailto:DykeRM@cardiff.ac.uk> Roberto Dyke <https://shrec19.cs.cf.ac.uk/> Web page 9. Correspondence in Humans with Different Connectivity Organizers: Simone Melzi, Riccardo Marin (University of Verona), Emanuele Rodolà (Sapienza University of Rome), Umberto Castellani (University of Verona) Contact: <mailto:simone.melzi@univr.it> Simone Melzi <http://profs.scienze.univr.it/~marin/shrec19/> Web page Procedure ------------- The following list is a step-by-step description of the activities: 1. Track organizers have sent their proposal describing the envisioned task, collection, queries, ground truth, evaluation method, and expected number of participants. 2. The tracks are selected, and are listed at the SHREC web page. The track organizers start up their track. 3. Participants register for the tracks they want to participate in. 4. Each track is performed according to its own time schedule. 5. The track organizers collect the results. 6. The track results are combined into a joint paper, to be included in the proceedings of the Eurographics Workshop on 3D Object Retrieval. 7. The description of the tracks and their results are presented at the <http://3dor2019.ge.imati.cnr.it/> Eurographics Workshop on 3D Object Retrieval (5, 6, May 2019) SHREC Time Schedule -------------------------- February 1, 2019: Submission deadline for track proposals. February 4, 2019: Notification of acceptance of track proposals. February, March, 2019: Each track has its own time line. The individual tracks will have their own time schedule for registration of participants, release of queries or submission of executables, and submission of results, etc. March 15, 2019: Each track is finished, and results are included in a track report, submitted to shrec(a)cs.uu.nl <mailto:shrec@cs.uu.nl> for review. March 25, 2019: Reviews done, feedback and notifications given. April 5, 2019: Camera ready track papers submitted for inclusion in the proceedings. May 5-6, 2019: <http://3dor2019.ge.imati.cnr.it/> Eurographics Workshop on 3D Object Retrieval, featuring SHREC 2019. The individual tracks will have their own time schedule for registration of participants, release of queries or submission of executables, and submission of results, etc.

6 years, 2 months

Eurographics Bookshop Clearance

by eurographics＠eg.org

Bookshop Clearance Eurographics is having a clearance sale of printed proceedings, that are held in stock in Germany. Items will be supplied subject to availability! Those books will be offered free of charge to people who are willing to pay the delivery costs in advance. Don't miss this occasion to complete your own library - so please have a look at the list of books available. https://diglib.eg.org/bitstream/handle/10.2312/15058/books_available.pdf How do you place an order? Please contact: publishing-support(a)eg.org <mailto:publishing-support@eg.org>

6 years, 2 months

ACM/EG Expressive 2019 - Call for Submissions - Extended Deadline

by eurographics＠eg.org

ACM/EG Expressive 2019 Call for Submissions <http://expressive.graphics/2019/submissions/> http://expressive.graphics/2019/submissions/ Paper deadline: February 21, 2019 March 3, 2019 Acceptance by: March 21, 2019 Camera-ready: April 5, 2019 Symposium: May 5-6, 2019 Artworks/posters/demos by: Rolling notification, closes March 15, 2019 The Expressive symposium explores the capacity of computer graphics, animation, and computational media to be used in artistic, aesthetic, and creative ways. The field can be seen as encompassing problems in expressive understanding, expressive communication, and expressive interaction: * Expressive understanding integrates aspects of computer science, philosophy, psychology, and the fine, applied, and performing arts, investigating theoretical approaches that further our understanding of aesthetic evaluation, perception and meaning. * Expressive communication focuses on imagery and motion which is expressive rather than photorealistic, although it may incorporate realistic elements. * Expressive interaction explores models, algorithms, and technologies for sketch-based interfaces, particularly classifying and recognizing hand-drawn shapes as a way to create or edit digital models, text, mathematics, or 3D shapes. <http://expressive.graphics/2019> Expressive 2019 will take place in Genova, Italy, May 5-6, 2019 co-located with <https://www.eurographics2019.it/> Eurographics 2019 in Genova. Expressive technical papers will be submitted, evaluated, and presented in a single, unified track. This unification reflects the ongoing evolution of the symposium, which originated as the union of three separate events: Computational Aesthetics (CAe), Non-Photorealistic Animation and Rendering (NPAR), and Sketch-Based Interfaces and Modelling (SBIM). The symposium will also include an arts program, posters and demos, and presentations of published journal articles. <http://expressive.graphics/2019/submissions/#call-for-papers> > Call for Papers <http://expressive.graphics/2019/submissions/#call-for-posters-and-demos> > Call for Posters and Demos <http://expressive.graphics/2019/submissions/#call-for-artworks--generative- chronicles> > Call for Artworks <http://expressive.graphics/2019/submissions/#call-for-journal-presentations > > Call for Journal Presentation _____ General Co-Chairs: Joaquim Jorge, Instituto Superior Técnico, Portugal Lyn Bartram, Simon Fraser University, Canada Chiara Eva Catalano, Institute for Applied Mathematics and Information Technologies, Italy Program Co-Chairs: Craig Kaplan, University of Waterloo, Canada Angus Forbes, University of California, Santa Cruz, USA Stephen DiVerdi, Adobe Research, USA Arts Program Co-Chairs: Daniel Berio, Goldsmiths, University of London, UK Pedro Cruz, Northeastern University, USA Posters and Demo Chair: Jose Echevarria, Adobe Research, USA Publicity Chair: Amir Semmo, Hasso Plattner Institute, University of Potsdam,Germany

6 years, 2 months

SHREC'19 track Matching Humans with Different Connectivity

by eurographics＠eg.org

/We apologize for multiple messages/ This is to invite you to participate in the following tracks of SHREC'19: SHREC'19 track Matching Humans with Different Connectivity SHREC'19 track: why connectivity? Although recent publications in the field of shape analysis achieve high-quality results in point-to-point matching, their quantitative evaluations have been performed only on meshes that share the connectivity. The aim of this track is to evaluate the performance of the automatic algorithms or signatures for point-to-point matching when the shapes to be matched have different connectivity. We consider the concurrent presence of 1) different meshing, 2) rigid transformation in 3D space, 3) non-rigid deformations, 4) different vertex density, ranging from 5K to more than 50K, and 5) topological changes induced by mesh glueing in areas of contact. The correspondence between these shapes is obtained through the recently proposed registration pipeline FARM (FARM: Functional automatic registration method for 3D human bodies, Marin et al, arxiv 2018). For further information see: <http://profs.scienze.univr.it/~marin/shrec19> http://profs.scienze.univr.it/~marin/shrec19 Best regards, Simone Melzi, Riccardo Marin, Emanuele Rodolà and Umberto Castellani.

6 years, 2 months

SHREC 2019 Shape Correspondence with Isometric and Non-Isometric Deformations contest

by eurographics＠eg.org

Dear All, We are running a SHREC contest (results will be presented at the Workshop on 3D Object Retrieval, which is collocated with Eurographics in Genova, 5-6 May 2019) on Shape Correspondence with Isometric and Non-Isometric Deformations. If you are interested in participating see https://shrec19.cs.cf.ac.uk/ for the data and details of the task. The submission deadline is March 01, 2019. Best regards, Yukun -- Dr. Yu-Kun Lai School of Computer Science & Informatics Cardiff University, UK http://users.cs.cf.ac.uk/Yukun.Lai - Dr. Yu-Kun Lai Ysgol Cyfrifiadureg a Gwybodeg Prifysgol Caerdydd

6 years, 2 months

ACM/EG Expressive 2019 — Call for Submissions

by eurographics＠eg.org

ACM/EG Expressive 2019 — Call for Submissions http://expressive.graphics/2019/submissions/ Paper deadline: February 21, 2019 Acceptance by: March 21, 2019 Camera-ready: April 5, 2019 Symposium: May 5-6, 2019 Artworks/posters/demos by: Rolling notification, closes March 15, 2019 The Expressive symposium explores the capacity of computer graphics, animation, and computational media to be used in artistic, aesthetic, and creative ways. The field can be seen as encompassing problems in expressive understanding, expressive communication, and expressive interaction: * Expressive understanding integrates aspects of computer science, philosophy, psychology, and the fine, applied, and performing arts, investigating theoretical approaches that further our understanding of aesthetic evaluation, perception and meaning. * Expressive communication focuses on imagery and motion which is expressive rather than photorealistic, although it may incorporate realistic elements. * Expressive interaction explores models, algorithms, and technologies for sketch-based interfaces, particularly classifying and recognizing hand-drawn shapes as a way to create or edit digital models, text, mathematics, or 3D shapes. <http://expressive.graphics/2019> Expressive 2019 will take place in Genova, Italy, May 5-6, 2019 — co-located with <https://www.eurographics2019.it/> Eurographics 2019 in Genova. Expressive technical papers will be submitted, evaluated, and presented in a single, unified track. This unification reflects the ongoing evolution of the symposium, which originated as the union of three separate events: Computational Aesthetics (CAe), Non-Photorealistic Animation and Rendering (NPAR), and Sketch-Based Interfaces and Modelling (SBIM). The symposium will also include an arts program, posters and demos, and presentations of published journal articles. <http://expressive.graphics/2019/submissions/#call-for-papers> > Call for Papers <http://expressive.graphics/2019/submissions/#call-for-posters-and-demos> > Call for Posters and Demos <http://expressive.graphics/2019/submissions/#call-for-artworks--generative-…> > Call for Artworks <http://expressive.graphics/2019/submissions/#call-for-journal-presentations> > Call for Journal Presentation _____ General Co-Chairs: Joaquim Jorge, Instituto Superior Técnico, Portugal Lyn Bartram, Simon Fraser University, Canada Chiara Eva Catalano, Institute for Applied Mathematics and Information Technologies, Italy Program Co-Chairs: Craig Kaplan, University of Waterloo, Canada Angus Forbes, University of California, Santa Cruz, USA Stephen DiVerdi, Adobe Research, USA Arts Program Co-Chairs: Daniel Berio, Goldsmiths, University of London, UK Pedro Cruz, Northeastern University, USA Posters and Demo Chair: Jose Echevarria, Adobe Research, USA Publicity Chair: Amir Semmo, Hasso Plattner Institute, University of Potsdam,Germany

6 years, 2 months

EG 2019: registration is open

by eurographics＠eg.org

EG 2019: Registration is open https://www.eurographics2019.it/index.php/for-attendees/registration/

6 years, 2 months

Ph.D. and Postdoc positions within ERC project at the University of Lugano (Switzerland)

by eurographics＠eg.org

Ph.D. and Postdoc positions within ERC project at the University of Lugano (Switzerland) Dear colleagues, We have open Ph.D. and Postdoc positions within a new ERC Starting Grant project titled "Perceptually-Driven optimizations of Graphics Content for Novel Displays". The main subject of the research is algorithms for generating and optimizing content for new display devices such as VR and AR headsets. The positions are fully-funded with a competitive salary in line with Swiss universities. Official flyer: https://www.pdf.inf.usi.ch/jobs.pdf More information about the group: https://www.pdf.inf.usi.ch/ Contact: piotr.didyk(a)usi.ch <mailto:piotr.didyk@usi.ch> Please forward this call to interested Master or Ph.D. students. Thank you very much, -- Piotr Didyk Assistant Professor University of Lugano, Switzerland

6 years, 3 months

WEB3D 2019

by eurographics＠eg.org

WEB3D 2019 Los Angeles July 26 - July 28 Co-Located with SIGGRAPH2019 The 24th International ACM Conference on 3D Web Technology In Cooperation with Eurographics and the Web3D Consortium <https://web3d2019.org/> https://web3d2019.org/ Paper submission: March 18, 2019 Tutorial & Workshop submission: April 1, 2019 (First Monday of April) Demonstration submission: May 6, 2019 (First Monday of May) Posters submission: May 6, 2019 (First Monday of May) Industrial use cases submission: June 3, 2019 (First Monday of June) H-Anim competition: June 3, 2019 (Winners announced at the Conference) Tutorial/workshop acceptance: May 6, 2019 Paper/poster/demo acceptance: May 13, 2019 Camera-ready paper/poster/demo: May 27, 2019 Looking forward to seeing you there! Please feel free to forward this announcement !

6 years, 3 months

CGI 2019 CALL FOR PAPERS

by eurographics＠eg.org

CALL FOR PAPERS COMPUTER GRAPHICS INTERNATIONAL CGI 2019 University of Calgary, Alberta, Canada, 17-20 June, 2019 CGI 2019 website: BLOCKEDcgs-network[.]org/cgi19BLOCKED Organized by the Computer Graphics Society (CGS) In cooperation with ACM SIGGRAPH and EUROGRAPHICS Computer Graphics International is one of the oldest international annual conferences in Computer Graphics and one of the most important ones worldwide, founded by the Computer Graphics Society (CGS). It is a yearly meeting where academics present their latest algorithms, and explore new ideas on various computer graphics topics. Since 1983, it was held in different continents as in Europe, Asia, Australia and North & South America. CGI 2019, the 36th annual conference will take place on June 17th - June 20th in Calgary, Alberta, Canada at the foothills of majestic Canadian Rockies. CGI 2019 is organized in cooperation with ACM SIGGRAPH and EUROGRAPHICS. IMPORTANT DATES Conference, Tutorials and Workshops June 17 - 20, 2019 Visual Computer papers submission Submission deadline: February 12, 2019 Paper notification: March 24, 2019 Camera-ready April 7, 2019 CGI proceedings submission Submission deadline: March 25, 2019 Paper notification April 21, 2019 Camera-ready May 03, 2019 The scientific program of the conference will include full papers and short papers. 35 accepted full papers will be included in the Visual Computer journal published by Springer. Other accepted papers (short and full papers) will be included in the conference proceedings published by LNCS, Springer. KEYWORDS We invite original contributions that advance the state-of-the-art in topics related to: Rendering Techniques, Volume Rendering Geometric Computing Virtual and Augmented Reality Shape and Surface Modelling Physically Based Modelling Computer Vision for Computer Graphics Scientific Visualization Data Compression for Graphics Biometric Image and Signal Processing Medical Imaging Computation Geometry Image Based Rendering Computational Photography Computer Animation Visual Analytics Shape Analysis and Image Retrieval Geometric Modelling Computational Fabrication Image Processing 3D Reconstruction & 3D Printing Solid Modelling Global Illumination Graphical Human-Computer Interaction Human Modelling Image Analysis Saliency Methods Shape Matching Sketch-based Modelling Robotics and Vision Stylized Rendering Textures Pattern Recognition Machine Learning for Graphics Conference Co-Chairs Marina L. Gavrilova, University of Calgary, Canada Hiroshi Ishikawa, Waseda University, Japan Program Co-Chairs Nadia Magnenat Thalmann, University of Geneva, Switzerland, and NTU, Singapore Jian Chang, Bournemouth University, UK Local Organizing Chair Marina L. Gavrilova University of Calgary, Canada Local Organizing Committee Usman Alim, University of Calgary Ehud Sharlin, University of Calgary Tony Tang, University of Calgary

6 years, 3 months

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